K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2024 Overall Thoughts I’ve probably opened with this overused phrase during previous Octobers, but I’m … Continue reading
Around this time last year, AMPERS&ONE debuted with the ebullient On And On, setting expectations for a bright, exciting discography. This year’s follow-up Broken Heart swerved in a different direction, muddying those same expectations. That song grew on me a bit but felt like an overall dip in quality. Thankfully, new single He + She … Continue reading
Though they’ve lost members along the way, CNBLUE has slowly and surely grown into one of K-pop’s longest running bands. At this point, you can pretty accurately predict how their music will sound before even hearing it, which can be both comfortable and frustrating. New single A Sleepless Night (그리운건 그대일까 그때일까) is another solid … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When writing about P1Harmony’s new comeback … Continue reading
You know… P1harmony’s music really frustrates me sometimes. They’ve developed this habit of hiding excellent material as b-sides while promoting their most gimmicky tracks. February’s Killin’ It album was quite strong, but the title track didn’t feel representative or fresh. Judging by the highlight medley for their newest comeback, I fear this pattern continues. Sad … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2024 Overall Thoughts Over the past few years, the month of August has trended toward … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Overall, 2024 has had a solid … Continue reading
To me, SF9 have always come across as musical chameleons. Their material is reliably polished and well-performed but doesn’t always have a distinct musical character. Instead, they flit between genres and often land on a winner. January’s Bibora was one of those lucky draws, gifting the guys a sleek dancepop confection that went on to … Continue reading
Fresh off their pre-release Burn It, FTIsland are back with the title track of their seventh (!) album. This is a band firmly in control of their sound — an established pillar in the industry. To my mind, this confidence makes the perfect excuse to experiment with new approaches, but Serious sees them delivering a … Continue reading
Wow, what a change a year can make! At this point in 2023, I was only able to pick a small handful of tracks to feature in my mid-year countdown, but 2024 has me spoiled for choice. My list is unusually long this time and probably won’t be all that surprising (barring one or two … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2024 Overall Thoughts It’s been awhile since I’ve said this, but K-pop is in a … Continue reading
Seventeen years since their debut, FTIsland are set to release a new album next month. Now a trio, the guys have become one of K-pop’s longest running acts, and pre-release Burn It proves they still have plenty of gas left in the tank. As far as I can tell, this song comes as a surprise. … Continue reading
K-pop is unique in the way idol performers can establish a solo career while still actively promoting with their group. But I often wonder what necessitates a soloist. Of course, fans are eager to see their bias develop their artistry outside the confines of traditional comebacks, but not every performer is equally predisposed to a … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
The Bias List // K-Pop Reviews & Discussion 