I’m back with a recap of K-Pop’s year-end festivals. As always, we’ve got events from KBS, SBS and MBC in that order. However, I wasn’t aware that KBS was saving their “Music Bank in Japan” special until December 30th so I’ll probably write about that one too. Honestly, I thought they’d just mash it together … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
To be honest, you may or may not see recaps for future end-of-year festivals this December. I’d like to write about all three big nights if possible, but over the past few years these events have become so boring and predictable. Basically, acts emerge with some dramatic intro (swords, pyrotechnics, flags, etc) before performing a … Continue reading
Over the past couple years, KBS has moved their song festival forward to mid-December. I’ve got a bone to pick with them when it comes to this change. I mean, don’t they know I’ve got a Top 50 Countdown to wrap up?? A pre-Winter Break nap to take??? Spare a thought for us bloggers, KBS! … Continue reading
A couple weeks after the MAMA Awards showed the potential of an audience-less, pre-recorded stage show, KBS went far less ambitious. Now, it could be argued whether this broadcast should have happened at all given K-pop’s surging Covid cases, but the producers opted to cobble together what they could. I’m curious why this year’s Gayo … Continue reading
For me, any end-of-year K-pop festival isn’t complete without a bit of trot. And though none of tonight’s trot performances made my list, I was happy to hear them sprinkled throughout the show. The opening artist intro was particularly fun. I’m also glad that KBS moved out of their usual performance hall for this event. … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
The Bias List // K-Pop Reviews & Discussion 