A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I don’t often enjoy i-dle’s title … Continue reading
Following their pre-release Girlfriend earlier this month, (G)I-DLE is back with their first new title track after rebranding themselves as “i-dle.” This reinvention doesn’t seem to herald a shift in sound, though each comeback tends to shift things around since they’re known for experimenting with various genres. Teasers for Good Thing seemed to promise a … Continue reading
In a major rebrand, (G)I-DLE have renamed themselves “i-dle.” This comes on the heels of their contract renewal with Cube Entertainment and promises to usher in a new era for their music. The group has been remarkably popular since their debut in 2018, with their singles often defining trends of the era. Their discography tends … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
(G)I-DLE’s Minnie released her solo debut album last week, led by two promoted tracks that did little for me. However, the album grows stronger as it goes on, climaxing with its best song. That song has now been given its own video featuring WayV’s Ten, who duets with Minnie on Obsession. I can’t claim to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
(G)I-DLE’s Minnie pre-released a song from her new album earlier this month and now its title track HER has been unveiled as she makes her official solo debut. She’s the fourth member of the group to venture out on her own, and rather than reinvent the wheel HER sounds like something you’d hear on any … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
(G)I-DLE members haven’t often committed to solo efforts with full music show promotions, choosing instead to dabble in digital releases and special singles — often unveiled with little fanfare. This is a smart way to slowly develop each members’ personal sound without the pressure of huge comeback budgets and expectations. Minnie’s understated English-language Blind Eyes … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2024. I find this list an interesting gauge of who is popular (at least among netizens who read reviews). The most obvious takeaway from this list is the utter dominance of girl groups. Seriously, there’s only one boy group in the … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
The line between “promoted single” and “special track” continues to blur in the K-pop market. Yuqi’s Radio (Dum-Dum) is classified as the latter, but comes with a lo-fi music video to give it extra visual punch. Of all the (G)I-DLE members, Yuqi’s solo work has struck me most dramatically. I’d still take her 2021 Bonnie … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
While there have been plenty of great title tracks so far this summer, we haven’t heard many that are explicitly themed to the season. (G)I-DLE are here to fix that with new single Klaxon (클락션). Following 2020’s DUMDi DUMDi, the girls are back with another summer track that hearkens back to K-pop’s distant past. The … Continue reading
When writing about Yuqi’s pre-release Could It Be several weeks ago, I was hoping we’d hear more edgy rock influences from her title track. After all, 2021’s Bonnie & Clyde remains a high water mark for both her and (G)I-DLE. With the release of Freak, I (sort of) got what I hoped for, though it’s … Continue reading
Three years ago, (G)I-DLE’s Yuqi released the brilliant Bonnie & Clyde — a pummeling piece of pop/rock with the driving energy of a dance track. That song utilized her husky tone in ways we rarely hear from (G)I-DLE’s work, making me long for more solo work. That era is finally upon us with a mini … Continue reading
I wouldn’t say that (G)-IDLE’s Super Lady has grown on me, but I appreciate its bold EDM energy and commitment to old fashioned showmanship. With that said, the group feels far more at home on grittier material that evenly spreads its time between the members’ various tones. Revenge falls much more in line with what … Continue reading
(G)I-DLE’s music has gone through many transformations — most recently in the form of the polarizing, meme-ready Wife. Regardless of genre, their title tracks have become known for their catchphrases. Leader and composer Soyeon loves a concept, and nuance isn’t really her thing. Whether they’re a wife, a tomboy, a queen or a nude, the … Continue reading
The Bias List // K-Pop Reviews & Discussion 