Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. As much as possible, I’m only focusing on original songs. There are TONS of song covers and “Christmas versions” of existing tracks … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Greatest Hits compilations are rare in K-pop. In fact, I think Japan is the only music market where they’re still commonly released. Nevertheless, SNSD’s Taeyeon has just released a twenty-three track anthology (including a not-as-good 2025 mix of her best song Time Lapse). To celebrate this album, she’s also unveiled new song Panorama (인사). Taeyeon … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2025 Overall Thoughts In the context of this year, the past two months have been … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Hyoyeon from SNSD has developed a nice solo career as a DJ/performer, though SM Entertainment has yet to give her an actual album to flex her skills. I guess full/mini albums aren’t as common in dance music as in other genres, but if you were to string all her prior tracks together you’d have a … Continue reading
Sometimes, it’s fun to take a trip back in time and immerse yourself in a specific K-pop year. Similar to my Battle of the B-sides, this feature sees me shuffling a huge playlist of songs from a certain era, picking out six at random and sharing my thoughts about each. All songs are eligible: Title … Continue reading
SNSD’s Taeyeon can always be counted on for a long-lasting chart hit, but this summer’s Heaven didn’t seem to have the stranglehold on the public the way most of her singles do despite hinging on similar elements as Sabrina Carpenter’s world-conquering Espresso. New single Letter To Myself is a more comfortable fit for Taeyeon, drawing … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
SNSD’s Sooyoung actually started her idol career in a short-lived J-pop group before eventually debuting in Korea. It’s funny, then, that it took this long for her to release a solo single in Japan. Better late than never, as Unstoppable recaptures some of the magic from SNSD’s discography while showcasing Sooyoung’s own charisma. A song … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
Pop music has been stuck in a retro romance for this entire decade, seemingly obsessed with referencing past eras rather than pushing forward to new sounds. This has caused genres like synthwave and synthpop to feel quite oversaturated, even if they’re styles I personally love. So, when it was announced that HYO would be drawing … Continue reading
Taeyeon’s To. X became a long-lasting hit on Korean charts, proving her continued dominance even sixteen years into her career. To tide fans over between albums, she’s dropped digital single Heaven. Its frothy disco pop sound is worlds away from To. X‘s downbeat confessional. I’ll admit this right away: I’m tired of this chill, vanilla, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It feels weird writing a standard “song review” post on the same day as posting my top K-pop songs of the year. Kind of a comedown, honestly! That’s not a dig at Jessica or Amber, who have each been part of my favorite K-pop tracks of all time. It’s kind of interesting seeing a collaboration … Continue reading
Though she’s featured in SM Entertainment’s super group Got The Beat and made a successful return with Girls’ Generation last summer, it’s been a long wait for new solo music from Taeyeon. It’s hard to believe INVU was nearly two years ago! Now, she’s back with a new mini album and title track To. X. … Continue reading
When it comes to her solo work, Girls’ Generation’s Hyoyeon has offered a sampler platter of dance genres. With new single Picture, she’s moved into dancehall sounds. This is a good match for her charismatic performance style, and she imbues an otherwise simple track with plenty of character. Picture has a dark, mysterious magnetism. Its … Continue reading
The Bias List // K-Pop Reviews & Discussion 