If you’re anything like me, you’re very upset that legendary production team Sweetune has been sidelined from the K-pop industry for the past year or so. I’d kill for some new Sweetune music in 2020, but for now we’ll have to settle for past glories. I’ve combed my archive to bring you some Sweetune tracks … Continue reading
Despite its title, I’m quite confident that this list does not represent the “best” J-pop tracks of the year. It’s a much more filtered list than my K-pop countdowns, because I just don’t keep up with J-pop as strongly as I’d like to. So, what you’re getting here is twenty great tracks by artists that … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2019 Overall Thoughts So… I don’t actually have a “top three songs” of September. I … Continue reading
Among other things, 2019 has suffered a distinct lack of Sweetune-produced tracks. Their work has been relegated to severely under-known boy groups and idol band IZ, with none of their songs making waves outside of small fan bases. So, when I heard that former Kara member Goo Hara would be returning with a Sweetune-penned Japanese … Continue reading
Thunder (whose moniker sounds more like a stripper than a k-pop star), is branching out on his own with his first mini album since leaving boy group MBLAQ in 2014. To help him in his solo efforts, he’s enlisted Goo Hara, who’s also a former member of a group (this time the disbanded Kara). They team … Continue reading
The Bias List // K-Pop Reviews & Discussion 