Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Following a mini album of mostly OST ballads, Strange World marks Ha Sungwoon’s first promoted comeback under a new agency. But for those worried about his sound shifting too much, new single Focus should be a comfort. He’s right in his wheelhouse, delivering a bass-driven, Taemin-esque dance track. This tends to a pretty satisfying K-pop … Continue reading
Universe app reviews have a Bias List history of being a little… different. It’s my not-so-subtle way of combating at the app-ification of music. Last time, we enjoyed a gif-heavy review of Eunbi’s Universe classic. This time, I’m taking cues from La La Pop‘s melodious title to present a review comprised entirely of audio reactions. … Continue reading
Ha Sungwoon has released quite a lot of solo material, but his new material will see him operating under a new label. He’s recently signed with BPM Entertainment – home to VIVIZ as well. Sungwoon’s You is billed as a “special album,” which usually means no big promotional rollout. And, this style of song doesn’t … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
2021 will mark the sixth time I’ve deconstructed a “Year in K-pop” through a variety of countdowns. Add a wealth of throwback posts and countdowns, and I feel like I’ve gained some perspective. K-pop has changed a lot since I started this blog at the beginning of 2016, but I’m not sure it’s changing nearly … Continue reading
Ha Sungwoon has one of my favorite post-Wanna One careers, and that continued with August’s fun and funky Strawberry Gum. Recently, he’s announced his departure from Star Crew Entertainment — his agency since debut with boy group Hotshot. Before he moves on to other ventures, he’s put an exclamation mark on this era with the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
Ha Sungwoon’s solo career doesn’t get a lot of press (at least internationally), but he’s quietly cobbled together an incredible singles run. Fresh off the heels of Sneakers, he’s returned with a repackaged version of his early-summer mini album. Strawberry Gum positions him within the upbeat funk pop realm of previous title tracks Get Ready … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
Despite selling well, Ha Sungwoon’s comebacks never seem to garner all that much attention or discussion. But he’s been remarkably consistent, releasing a string of very strong singles. New track Sneakers (스니커즈) follows suit, harnessing a bright, optimistic melody perfectly suited for summer while managing to filter many of his influences into one consistent song. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
Of all the Wanna One members, Ha Sungwoon never really caught my attention. Yet, his solo career has gone from strength to strength. He’s proving himself a great pop songwriter with surprising versatility. And, I love the funky route his title tracks have taken. Forbidden Island (그 섬) continues this arc, thriving on a hearty … Continue reading
I feel like every summer we get a few of these “rapper featuring vocalist” music videos that involve posing on fancy boats and cavorting among palm trees. I like to imagine all of these videos being filmed simultaneously, with hundreds of yacht-and-rapper combos sailing the same small body of water without bumping into each other. … Continue reading
After looking at the year’s best singles (so far), it’s time to turn attention to 2020’s albums. I’ll reiterate what I said yesterday: relative to previous years, it’s been slim pickings. Consistently good mini albums have been particularly hard to find this year, at least in my opinion. But even though the overall picture may … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2020 Overall Thoughts This may not seem like much within the context of 2020’s continual … Continue reading
It’s been almost a year since Ha Sungwoon’s last comeback. That summer album showed a lot of promise, foregoing the tepid r&b of his solo debut for more adventurous sounds. Now, he’s back with the kind of funk-pop track I’d like to see K-pop’s moody boy groups tackle again. Get Ready isn’t perfect, but its … Continue reading
Days after railing against the Produce series’ negative effect on the K-pop industry, it’s time to look at the juggernaut from another angle. Since Wanna One’s disbandment at the start of the year, all of its members have gone on to release music of some sort. I’ve not been shy when it comes to my … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2019 Overall Thoughts How do I adequately describe just how much of a crippling disappointment … Continue reading
The Bias List // K-Pop Reviews & Discussion 