At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It’s been a very slow week in K-pop, so a surprise pre-release from ILLIT saves me from digging in the archives and writing about something old today. Their comeback is slated for later this month with title track Do The Dance, but prior to that they’ve debuted the “brand film” for album opener Little Monster. … Continue reading
Compared to other HYBE groups, I’ve had a harder time getting into the groove of ENHYPEN’s discography. Each time they release a song that I love, they’ll follow it with two or three that leave me cold. That track record doesn’t exactly build confidence in new material, but I recognize how popular the group has … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TWS’s first Japanese single Hajimemashite (Nice … Continue reading
If you would have asked me a few years ago what I thought about HYBE Corporation, I would’ve had a few choice words to share with you. But somehow, many of my favorite new K-pop acts have now emerged from HYBE. And given &TEAM’s excellent musical track record, I was eager to see what the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2025 Overall Thoughts The other day, I commented on Twitter/X that K-pop was struggling to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Seventeen are celebrating a huge ten year anniversary today. They were popular right out of the gate, but few could have predicted just how massive they’ve become. I remember staying up very late to watch the premiere of their first music video (the ebullient Adore U) ten years ago, but I’ve grown more distant from … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Ahead of an eventual BTS reunion once everyone has completed their military service, oldest member Jin is back with his second solo mini album. I recently enjoyed watching him as part of the cast of Netflix variety series Kian’s Bizarre B&B, where he came off very well and added a quirky sense of humor. That … Continue reading
BOYNEXTDOOR scored their biggest hit yet with the streaming giant If I Say, I Love You released back in January. They’re on their way to becoming reliable digital chart-toppers in the way few boy groups accomplish, and they haven’t wasted time returning with new music. If I Say, I Love You is included on their … Continue reading
When TWS released their mini album last month, I wrote a track-by-track review knowing full well they’d likely promote one of its b-sides with a music video later on. That prediction has come true with album-opener Lucky To Be Loved, but I’m going to revisit the track today since I have more to say. For … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Well, this is a surprise! I somehow missed the announcement about this song, so hearing a collaboration between two of K-pop’s most influential rappers comes as a pleasant little shock tonight. Stop The Rain pairs Epik High’s Tablo with BTS’s RM, crafting a multi-generational shot of emotional catharsis. I’m always hesitant to write about songs … Continue reading
Whenever an act releases a digital single with little lead-up time and no official comeback attached, I always assume one of two things. Either the song is too good and has too much chart potential to wait for an accompanying album, or it’s just a stop gap to get something new into the market between … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2025 Overall Thoughts Oof. What a month. K-pop in 2025 hasn’t been overwhelmingly awesome so … Continue reading
Of all of K-pop’s forays into non-Korean markets, Katseye have had the biggest push and have the most potential to become stars outside the industry. Though they’ve only released one EP since their debut last summer, they’ve done a fair amount of promotions and seem to have found a natural place within the overall pop … Continue reading
The Bias List // K-Pop Reviews & Discussion 