Trilogies and series are all the rage in K-pop, but few have lasted as long as iKON’s New Kids. Barring their 2018 album Return, the group has been releasing tracks under this title for so long that they’re in danger of turning into old kids. But with the arrival of I’m OK, it seems as … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
I always feel like I need to post a disclaimer before this particular countdown. In most “best artist” categories, the nominees are determined by taking things like sales and popularity into account. My top artists countdown is a bit different. This is a countdown for artists that made waves in 2018. Maybe they’re a newer … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. After yesterday’s focus on SM Entertainment, it’s time to move onto YG Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2018 Overall Thoughts October was like one of those Halloween horror movies with a twist … Continue reading
The tried-and-true melancholic hip-hop ballad has been a staple of YG Entertainment’s discography for many years, but it feels like it’s been a while since we’ve heard a new one. Goodbye Road (이별길) fits neatly within this template, and is the first real ballad iKON has promoted since 2015’s Apology. Road makes a nice bookend … Continue reading
