Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three // Episode Four ROUND TWO: MY FINAL RANKINGS One thing I’ll say for Kingdom is that it wastes no time getting started. Unlike the Produce 101 franchise, this series doesn’t spend endless minutes on … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three THE AFTERMATH AND THE RE-BIRTH Following last week’s ranking, the groups head back to the respective agencies to celebrate or lick their wounds, depending on their outcome. BTOB thinks their performance lacked story, while … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two THE FINAL THREE PERFORMANCES This week completes the first round of performances, with the final acts added to last week’s trio. And, the show wastes no time getting to the first performance, which means I’ll waste no … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Three THE RANKING We kick off immediately with the rest of the global fan vote from last week and learn that sixth place goes to iKON. I can’t say I’m too surprised, and I don’t think it means … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode Two // Episode Three Well… I’m back! Last year’s Road to Kingdom was a bumpy road for sure, with one particular pothole that still has me feeling PTSD. But, this time will surely be less dramatic. Unlike RTK, Kingdom will not … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2021 Overall Thoughts I’ve heard whispers around social media lamenting that 2021 has been a … Continue reading
iKON will soon be participating in MNET’s Kingdom series – the second most senior act to do so. It’s hard to believe these guys debuted almost six years ago. A pair of long hiatuses have made their career arc feel both shorter and longer than it is, and I’m hoping that Kingdom can garner them … Continue reading
It’s been over three years since iKON’s Bobby released his first solo album. I remember being hesitant about it before listening, but dual title tracks I Love You and Runaway totally convinced me otherwise – particularly the former. They brought a versatility that we hadn’t really heard from iKON’s music to that point, and fused … Continue reading
After taking a look at SM Entertainment‘s 2020 progress, it’s now time for YG Entertainment to take the spotlight. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these articles is to determine how well K-pop … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2020 Overall Thoughts What to say about February 2020? As the month went on, it … Continue reading
Its not too often that an idol group loses their leader and their main songwriter in one fell swoop. But, this is the reality that iKON now faces after B.I departed the group last year. It’s hard to imagine what iKON would sound like without B.I’s influence, and we don’t have to just yet. Their … Continue reading
After taking a look at SM Entertainment over the long weekend, it’s time to move onto an agency with very different activity in 2019. Prepare yourselves, friends. It’s YG Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
It’s been over three years since Lee Hi’s last comeback, so the fact that I’m writing about her at all feels like a minor miracle. But, this long hiatus carries with it a very real danger. The longer fans wait, the higher expectations rise. After three years, the desire for a momentous, iconic song only … Continue reading
Trilogies and series are all the rage in K-pop, but few have lasted as long as iKON’s New Kids. Barring their 2018 album Return, the group has been releasing tracks under this title for so long that they’re in danger of turning into old kids. But with the arrival of I’m OK, it seems as … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
I always feel like I need to post a disclaimer before this particular countdown. In most “best artist” categories, the nominees are determined by taking things like sales and popularity into account. My top artists countdown is a bit different. This is a countdown for artists that made waves in 2018. Maybe they’re a newer … Continue reading
The Bias List // K-Pop Reviews & Discussion 