With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
Between their Korean and Japanese promotions, IZ*ONE are set to accrue the largest discography of any Produce 101 group yet. Their cross-country releases are a shrewd business move, but I’m curious whether the girls will be able to maintain a high quality once they’ve moved beyond first few singles. That has always been an issue … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2019 Overall Thoughts After a March that included some of my favorite songs of the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m not sure I’ve ever loved a Produce 101-related album all … Continue reading
For me, one of the most frustrating things about Produce 101-spawned groups is that they don’t attempt to develop a signature sound or concept. Given their temporary status as project groups, I understand the desire to sample as many of the industry’s current trends as they can before disbanding, but it leads to a scattershot … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2019 Overall Thoughts Last year, January bucked expectations and became my favorite musical month of … Continue reading
In a first for the Produce series, girl group IZ*ONE will be promoting actively in both Korea and Japan. As jaded as I’ve become with these survival series, I’ve got to admit that this is a pretty shrewd business decision. The girls have already made a strong mark in Korea with La Vie en Rose … Continue reading
As the years have gone on I’ve become a bit disillusioned with the whole Produce 101 format. The show is still an absolute juggernaut, with a far-reaching shadow that touches almost every corner of the K-pop industry. But more often than not, it feels as if the powers-that-be are simply coasting on its popularity to … Continue reading
The Bias List // K-Pop Reviews & Discussion 