With a title like Breakthrough, you better have the goods to deliver. Thus far, Twice’s Japanese material has ranged from fair to frenetically frustrating. Last year’s BDZ hinted at some musical progress, but their immense popularity doesn’t exactly spawn motivation to change. More than a breakthrough, the group needs to take a sledgehammer to their … Continue reading
As The Bias List continues to grow, I’ve been thinking a lot about my musical influences and preferences, and how my history with pop music has shaped the reviews that I write today. With this in mind, I thought it would be fun to take a day for a more personal post. More than anything, … Continue reading
Last year, my favorite Seventeen song wasn’t a Korean title track at all. It was their first original Japanese single, Call Call Call, which harnessed the guitar-fueled dance pop sound that I love most from the group. Because of this, anticipation was high for new J-pop track Happy Ending. It’s been exactly a year since … Continue reading
Taeyeon made her solo Japanese debut last year with the pretty — but extremely safe — Stay. That song jettisoned the funky backbone of Korean single Something New for straightforward, feel-good balladry. Judging from new single Voice, this middle-of-the-road pop style seems to be her go-to J-pop sound. There’s nothing wrong with a little adult … Continue reading
I haven’t written much about Johnny’s Entertainment lately, mostly because I think the agency has had an underwhelming 2019 so far. But, my favorite Johnny’s act has recently returned with their annual full-length album so it’s time for me to dust off the cobwebs and dive in. If I believed in the concept of “guilty … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2019 Overall Thoughts After a March that included some of my favorite songs of the … Continue reading
It’s been gratifying to watch Astro’s surge in sales numbers this year. 2018 was rough for the group, without a fully-promoted comeback as the fate of their agency seemed unclear. But, their first full album was a surprise success this January, and now the guys are entering the Japanese market. With J-pop’s love for bright … Continue reading
This time last year, NCT had already delivered an exciting yearbook project that saw the release of no less than four singles (with more to come). In comparison, 2019 has been downright barren. In fact, SM Entertainment’s 2019 schedule has been exceedingly light, relegating to a pair of SHINee-related solos and a few other ballads. … Continue reading
GFriend have already packed a lot into their 2019. In just two months, they’ve released a full-length Korean album and a Japanese single. Now, they’re back with another new J-pop track, funneling various sounds from their four-year career into the upbeat Flower. Last year’s Memoria was a lyrical, slow-burn affair, but Flower punches right out … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2019 Overall Thoughts We’re deep in the winter doldrums, and that’s exactly what February’s K-pop … Continue reading
I’m honestly a little confused when it comes to Boyfriend’s current status. Their contracts would have expired last year, but I never remember hearing news of a renewal. As much as I love the group’s music, I would have pegged them for a likely disbandment simply because Starship Entertainment rarely does anything for them in … Continue reading
Many idol group members have gone solo, but few boast a singles run big enough for a top ten countdown. SHINee’s Taemin is one of those few, starting with his solo debut in 2014. His music borrows elements from SHINee’s repertoire, but draws on a different type of artistry. It’s at turns powerful, sexy, smooth … Continue reading
AAA’s Nissy is celebrating five years since the launch of his solo career with a greatest hits compilation. Never mind the fact that all of his solo work can be found across just two albums, making a greatest hits somewhat redundant. I’ll take new music where I can get it, and this compilation comes with … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2019 Overall Thoughts Last year, January bucked expectations and became my favorite musical month of … Continue reading
In a first for the Produce series, girl group IZ*ONE will be promoting actively in both Korea and Japan. As jaded as I’ve become with these survival series, I’ve got to admit that this is a pretty shrewd business decision. The girls have already made a strong mark in Korea with La Vie en Rose … Continue reading
Those who have followed The Bias List for some time have gone on the Snuper journey right alongside me. It’s a story that starts with Sweetune-fueled promise, climaxes with Sweetune-fueled perfection, and takes a nasty little turn with a non-Sweetune-fueled 2018 that is better left forgotten. Time will tell if there are still pages left … Continue reading
Debuting in 2016, Pentagon have finally amassed enough title tracks to be eligible for a top ten countdown. Of all the rookies in their generation, it feels like Pentagon have been on a roller coaster of highs and lows, finding both breakout success and frustrating hardships. Through it all, they’ve built a rock-solid discography, equally … Continue reading
J-pop’s enduring tie with anime has helped it retain a sense of bombast when other music markets have moved in more subdued directions. V6’s 50th (!) single is also the latest theme for long-running anime One Piece, and sounds as big and adventurous as that series. Add to that some classic, over-the-top Johnny’s Entertainment sparkle … Continue reading
2018 was a whirlwind year for Pentagon, presenting great achievements and unexpected tailspins. Their career trajectory in Korea seems impossible to predict, but they’ve come roaring back with their first original Japanese single. And Cosmo is a doozy. The song is completely confounding on first listen, and sounds nothing like any music the group has recorded … Continue reading
The Bias List // K-Pop Reviews & Discussion 