At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
I haven’t written about a solo track from Infinite’s Dongwoo since 2019, which might as well be a lifetime ago. Since then, the guys have regrouped under their own agency, toured extensively and released new music that (sadly) hasn’t done much for me. Now, it’s time for Dongwoo to showcase his own talents with a … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2019 Overall Thoughts After a slow start to 2019, March finally seemed to kick things … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Dongwoo’s double title tracks split opinion on this site, but I’m … Continue reading
Double title tracks seemed to be all the rage a few years ago, but we don’t see much of them anymore. Woollim Entertainment has a history of this tactic, previously promoting two singles from Sungkyu’s 2015 album. It’s a great way to showcase multiple sounds. In Dongwoo’s case, the exciting Party Girl makes up for … Continue reading
Nearly nine years after his group’s debut, Infinite’s Dongwoo has finally released a solo album. Its been a long time coming. As one half of successful sub-unit Infinite H, his talent as a vocalist and rapper have positioned him to take on styles that aren’t usually associated with Infinite’s music. As a rabid Infinite fan, … Continue reading
The Bias List // K-Pop Reviews & Discussion 