Never trust Google translate, at least out of context (and especially when trying to translate from Japanese). I don’t know how I misconstrued whatever article I “read,” but I had it in my mind that The Boyz’ new Japanese single was going to fall within the future funk genre. Maybe they were talking about a … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
Since debuting last year, SixTONES have blitzed the J-pop market with music, and their consistency in both quantity and quality has been admirable. The group is not a one-trick pony, and new single Boku ga Bokujyanai Mitaida makes that quite evident. As the theme to the live action adaptation of manga Liar X Liar, the … Continue reading
There was a time when SM Entertainment’s Japanese releases were something to really look forward to. The J-pop discographies of Girls’ Generation, SHINee and TVXQ are particularly strong and often pushed the artists in new directions. But, I can’t remember the last time a Japanese single by an SM artist really stood out – maybe … Continue reading
Sometimes a song’s title tells you all you need to know. How could something called “Taking Off!!” (with no less than two exclamation points) not have anthemic heft to it? J-pop act Solidemo have been on my radar for years, but I haven’t often connected with their music. They’re a straight-down-the-middle pop group, with a … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Treasure have an admirable roster of … Continue reading
After a week devoid of new releases, attention turns to Japan as Monsta X drop their music video for new J-pop single Wanted. Like their Korean career, the group’s Japanese output has been quite prolific. And, their characteristic sound has translated to the new market without many changes. Wanted continues that brand and acts as … Continue reading
Like many 2019 and 2020 debuts, Exile Tribe’s Ballistik Boyz haven’t really had a fair shake of it. Building your fan base is hard in the midst of a socially distanced pandemic, but the guys have continued to release material that paints them as the energetic, rough-and-tumble younger brothers to their Exile senior acts. Though … Continue reading
Reboots always scare me a bit, especially when attached to a group or artist that I like. I’m all for musical growth, but a “reboot” connotes something more dramatic – a shedding of an old sound in favor of something completely new. The Rampage’s upcoming album bears this troublesome name, and from the tracks we’ve … Continue reading
With super J-pop group AAA going on indefinite hiatus, there has been renewed opportunity for its members to grow their already-established solo careers. And throughout 2020, most members did just that. However, there was one notable exception. Main vocalist Nissy first debuted as a soloist in 2014, but his output has stalled in recent years. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2021 Overall Thoughts It’s the start of a new year, and new possibilities when it … Continue reading
I’m back with more J-pop b-sides and singles that never received a full Bias List review. This round-up covers material from October 2020 to January 2021, and I hope you find some treasures to add to your playlist! SixTONES – S.I.X / Special Order SixTONES released their first full-length album earlier this month, and it’s … Continue reading
Along with same-day-debuts SixTONES, Snow Man have become a quick success in Japan. I’m always eager to join the party, but I’m still searching for the track that would cement this group in my mind. They’re great performers, known more for their dance than their vocals, and are charming on variety as well. But although … Continue reading
Groups within Japan’s Sakamichi series can be hard to keep up with, not because they come back so frequently, but because each release tends to be supported by multiple music videos. Take Nogizaka46’s new single as an example. It’s promoted with no less than four videos, resulting in more “title tracks” than most K-pop acts … Continue reading
The Bias List // K-Pop Reviews & Discussion 