If there’s any male group that deserves a full-fledged comeback, it’s got to be ZE:A. They’ve never been able to totally break into the a-list as a unit, despite a highly underrated discography and some very notable members. And now that their cohesion as a group seems to be somewhat fractured, it looks like we’ll have to make … Continue reading
Before making their inevitable Korean comeback, AOA have released their second original Japanese single with Give Me The Love. I liked their first one well enough, but it had absolutely no staying power on my playlist. Give Me The Love seems to be the exact opposite. I was initially underwhelmed, but now find myself… well… … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Jpop is not nearly as accessible to the western market as kpop has become, so I’m often late to the party when it comes to new releases. Yell has actually been available for a few weeks now, but I’ve recently become interested in boy group Bullet Train and wanted to offer my thoughts on the track. The … Continue reading
Like label-mates CNBlue, FTIsland has done a nice job balancing their Korean and Japanese success. Given their status as an idol rock group, their sound has an easily-slotted place within the vast world of j-rock, though the direction of their Japanese material hasn’t always been to my taste. However, I was incredibly impressed with frontman Hongki’s solo … Continue reading
KAT-TUN are a seminal band for me. Along with label mates News, they were the group that got me interested in j-pop, and I think that’s down to their international-minded pop/rock sound and incredible catalog of songs. They’ve been around for a decade, which means there were many, many singles to choose from. I had … Continue reading
My interest in jpop group Kis-My-Ft2’s releases has been pretty hit and miss over the years. I’ve loved some (mostly Perfect World), but found others to be too generic and overly processed. Still, they’re a group that I feel that I should like, given that they’re one of the more kpop-sounding boy bands in Japan, so I approach each … Continue reading
From time to time, it’s just not enough to write about individual singles. In the case of jpop group News’ Quartetto, I wanted to take a deep dive into several tracks. And, given the fact that I’ve already reviewed most of the album’s singles, it just made sense to take a look at the entire … Continue reading
The Bigbangification of Beast continues with Guess Who, their new Japanese single. They began to veer toward this more hip-hop influenced sound with last year’s Yey, but that song grew on me the more I heard it. I’m not sure Guess Who will share the same fate. There’s just not as much to hold onto … Continue reading
For their first truly original Japanese single, B.A.P have opted for a sort of hybrid of their Young, Wild & Free from last year and 2013’s excellent One Shot. Even the music video features shades of both. This is a wise move, as the sound is one hundred percent theirs and skillfully paints a clear … Continue reading
Brand New Days is the rare example of a kpop group recording a jpop song that could easily function as one of its actual Korean comebacks. It doesn’t opt for a radical departure in sound, but instead builds on the successes of the group’s discography. Apink has been riding the cutesy concept since their inception, … Continue reading
As part of KAT-TUN’s two-pronged victory lap before hiatus, Greatest Journey acts as both the theme and farewell to their (very funny) variety show Sekaiichi Tame ni Naru Tabi. More importantly, it’s the most upbeat, sunny track the guys have released in awhile, sending them off with a joyful blast of singalong pop. The first time … Continue reading
Unlock is the last official KAT-TUN single before member Taguchi leaves the group and the remaining three go on hiatus. Because of this, it carries with it an aura of sadness, though you wouldn’t know it from the song alone. Unlock is a classic uptempo rock number from the guys. And even if it may not … Continue reading
Arashi have been around for longer than many kpop and jpop idols have been alive, and released a massive amount of singles and albums in that time frame. As could be expected from such a prolific band, their material is incredibly hit or miss for me. For every No One Knows or Under The Blue Sky, … Continue reading
BTOB enjoyed one heck of a 2015, finding a new level of success and finally becoming the group they were meant to be. They also began to push into Japan with original material that catered almost exclusively to the genre preferences of that market. In other words, their two singles were super j-poppy. Dear Bride strikes a nice balance … Continue reading
As a companion to their just-released Tragedy (review here), KAT-TUN also gave us Atsuku Nare, which translates to Be Motivated, and its accompanying music video. I wasn’t that impressed with Tragedy, but luckily Atsuku adheres to the elements of the group’s music that I prefer. The song was written with athletics in mind, though it doesn’t sound like your … Continue reading
KAT-TUN released my favorite song of 2015 with their epic Dead Or Alive. Since then, they delivered the not-so-great Kiss Kiss Kiss and have been on hiatus for nearly a year. Because of this extended wait, my anticipation for Tragedy was high. However, it hurts my fanboy heart to say that I am thoroughly underwhelmed … Continue reading
U-Kiss has had a career arc that feels somehow unfulfilled. Despite being a veteran idol group (they debuted all the way back in 2008), their prominence in Korea has really plummeted as they’ve focused their attention on Japan instead. Because of this, they’re a group that many forget actually still exists. This isn’t fair, but it just … Continue reading
As a former member of girl group Kara, it’s ironic that Nicole has been giving us more Kara-esque releases over the past few years than Kara itself. This is due, in part, to her continuing work with Sweetune, whose bright, poppy style is ideally suited for the Japanese market. As I’ve mentioned before, Sweetune are my absolute … Continue reading
I’ve been a massive fan of pretty much everything GOT7 has released in Korea. Given this, I’m continually baffled with how utterly terrible their Japanese singles have been in comparison. Other than one or two tracks, their jpop persona might as well be that of a completely different band. Yo Moriagatte Yo is the lead track from … Continue reading
