I’m always a bit skeptical about songs called “Rock & Roll” that aren’t from actual rock bands, but if anyone’s got the attitude to drive this style it’s ITZY. They made their name on a brash energy that felt punky even as it was carefully designed by a corporation to appear so. Japanese single Rock … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Recent releases by TWS, RIIZE and IDID have me wondering if I’m starting to go full circle and enjoy weirdly atonal boy group hip-hop tracks again. It helps when the production is interesting and the subject matter isn’t simply “I’m so cool, look at me.” To be honest, much of my opinion about this style … Continue reading
K-pop’s pre-releases are getting out of control. I can barely keep up! Fans are absolutely spoiled with material, and now we have these surprise-release ‘music videos disguised as album promo’ moments. The YouTube video attached to NMIXX’s Spinnin’ On It is technically labeled “Blue Valentine Core: SPINNIN’ ON IT,” but incorporates an entire song from … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2025 Overall Thoughts We’ve hit the rare (?) double-header in K-pop with two back-to-back underwhelming … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There have been plenty of debuting … Continue reading
Earlier this month, JYP Entertainment rookies KickFlip pre-released the anthemic pop/rock track Band-Aid, showcasing a sonic upgrade that fits them so well. That soundscape continues with new title track My First Love Song (처음 불러보는 노래), which underpins its rock energy with a consistently bounding beat. There’s a brightness to this song that helps it … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Subsidiaries are something we think of with corporations like HYBE and YG, but JYP Entertainment has slowly been branching out in this way as well. Boy group ALL(H)OURS are technically under their extended roster and soon there will also be girl group DDDD 25, formed through the series The Entertainer. Before that, the group’s Youngbin … Continue reading
I don’t have the hard numbers to back it up, but compared to groups their age it feels like the 2PM members have the most prolific string of solo releases. The guys continuously release material in both Korea and Japan, and even if many of these songs fail to register with me in a big … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
A few days ago, Twice’s Chaeyoung pre-released the first taste of her debut solo album with Avocado. Depending on your taste, that track either felt refreshingly new for K-pop or like a bit of a snooze. I fall in the latter category, though I did respect its unique tone. Pre-releases are afforded some leeway when … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
I listened to DAY6’s new album yesterday and thought — as I often do with their albums — that almost every b-side was stronger than the title track. Luckily, the guys are promoting double titles this time and have quickly followed up yesterday’s Inside Out with a video for album opener Dream Bus (꿈의 버스). … Continue reading
Ahead of their fourth full-length Korean album and tenth anniversary, the members of DAY6 re-signed their contracts with JYP Entertainment. And why wouldn’t they? The group has seen a massive rise in popularity over the past few years as their solid discography continues to grow. But with increasing success, it can feel like the band … Continue reading
There have been a number of great boy group debuts this year, and KickFlip were the first out of the gate. But despite their (over)long gestation since 2021’s Loud survival series, their music didn’t immediately connect with me the way other groups’ has. It’s been a slower burn, with May’s Freeze easily their best title … Continue reading
Straight-up R&B can be a tough sell in the glossy K-pop idol world, but most of the hits we know and love are built on elements of the genre. Jun. K and his group 2PM are very familiar with a great R&B-influenced croon, and he’s enlisted Stray Kids’ Changbin for back-up on new single R&B … Continue reading
It took awhile before members of Twice embarked on solo careers, but we’re now at a stage of their career where that feels like an appropriate extension of their brand. I can’t say I have any particular allegiance toward one member or another, but Nayeon’s solo work has been most suited to my pop-loving taste. … Continue reading
The Bias List // K-Pop Reviews & Discussion 