As Twice’s Korean output has shifted styles this year, their Japanese music has followed suit. This began with June’s striking Breakthrough, and continues with new single Fake & True. As with the last few years, Twice are churning out new singles with alarming speed, and that ubiquity has helped them make a convincing transformation in … Continue reading
Over the past few months, Stray Kids’ experimentation with electronic influences has transformed their music into a vital, trend-setting part of the K-pop landscape. It’s easy to forget that, at their heart, the group thrives on a more straightforward hip-hop style, anchored by their trio of composers/producers 3RACHA. Personally, I prefer when Stray Kids pull … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2019 Overall Thoughts So… I don’t actually have a “top three songs” of September. I … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Not only have Twice steadily been refining their sound in 2019, … Continue reading
Twice have had a transformative 2019 so far, embracing a more refined sound while maintaining their immense popularity. Fancy has slowly become my most-played title track from the group, eclipsing their iconic 2016 work. Time will tell if new single Feel Special will overtake that spot, but the song makes a great first impression. By … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since winning the first season of K-pop Star, Park Jimin has jumped from gig to gig — as part of pop duo 15&, as a co-host on After School Club, and as a soloist. She’s about to make her biggest leap yet: straight out of JYP Entertainment. It’ll be interesting to see what the future … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2019 Overall Thoughts How do I adequately describe just how much of a crippling disappointment … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Given the pedigree of JYP Entertainment, ITZY were never going to be anything but an instant smash. Still, the girls have exceeded already-high expectations, delivering one of 2019’s only bonafide idol group blockbusters in Dalla Dalla. While much of the Korean charts have been clogged with ballads and r&b this year, ITZY’s unabashedly ballsy K-pop … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
In a July that has seen an unprecedented amount of downbeat, forgettable comebacks so far, DAY6 have returned to inject some life into the month. We last heard from the band in December, when they released the excellent Days Gone By. December releases tend to fade from memory this time of year, but Days still … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Reviews are only a snapshot in time, which means that many of the songs I write about will rise or fall as the months go on. I tend to be pretty moderate in my reviews, so none of these following selections have moved drastically from my original thoughts, but the first half of 2019 definitely … Continue reading
So far, 2019 has been an odd year for K-pop. If I were to sum it up, these first six months have pinballed between “thrilling” and “frustrating.” Taken as a whole, I think 2019 easily usurps 2018 at this same point. But, many of my favorite songs were released in close proximity to one another … Continue reading
The Bias List // K-Pop Reviews & Discussion 