Before I move on to J-pop, global pop and other categories, I like to sum up the K-pop countdowns that have filled the past few weeks. The title of this post should technically be called “The Best Overall K-pop Comebacks & Debuts of 2024,” since not every album on this list marks the return of … Continue reading
Full disclosure: I’m not a dancer nor choreographer, and dance isn’t necessarily what I flock to K-pop for. Because of that, my choices tend to veer toward more iconic routines that are fun to watch rather than technically challenging or impressive formations. I like to believe the two can co-exist, but I do prefer fun … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
This is always one of the countdowns I feel least confident about because I tend to listen to K-pop more often than I watch it. It’s also a very subjective category, as my visual/storytelling/conceptual preferences may not match others’. The truth is, K-pop has become so adept at crafting fantastic music videos that I could … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
K-pop has been a singles-driven market for awhile now, but that only seems to be truer with each passing year. Either comebacks don’t have enough songs to be called an “album,” or the b-sides are clearly designed to pad a tracklist rather than stand out on their own. With that said, there were a handful … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Prior to their official debut in March of 2018, Stray Kids released an EP titled Mixtape, largely compiling the songs featured on their pre-debut reality series. Nearly seven years later, they’re back with their first actual mixtape — though the definition of “mixtape” is pretty darn loose when it comes to K-pop. The project’s “single,” … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The next few weeks on The Bias List will be stuffed with all manner of end-of-year countdowns. From K-pop to J-pop to global pop to dramas, it’ll all be covered. This is a fun way to tie a bow on the year and celebrate all the things I loved in 2024. These countdowns kick off … Continue reading
Several years ago, Stray Kids took a humorous approach to Christmas with the off-kilter Christmas EveL. It’s rare that a K-pop group releases more than one holiday single, but the guys are back with a treat for their Japanese fans. Christmas Love is far jollier and more obviously targeted to this season. In fact, it … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
JYP founder Park Jinyoung was one of K-pop’s first global visionaries, seeking Western partnerships far before it was the trendy thing to do. Without Wonder Girls’ 2009 foray into the States, a track like Strategy might not exist at all. Twice have already made themselves known worldwide, but this new single offers their first big-name … Continue reading
We’ve entered December, which all but ensures a steady stream of ballads from both K-pop and J-pop. This softer energy tends to be quite seasonal, as listeners seek coziness over musical bombast. Japan has an especially insatiable appetite for ballads, making NiziU’s AlwayS the perfect release for this time of year. AlwayS starts life as … Continue reading
The Bias List // K-Pop Reviews & Discussion 