Before SHINee make their long-awaited return at the end of the month, they have a gift for fans in the form of pre-release single The Feeling. This song was previously revealed as part of the group’s recent fanmeet and marks the first time we’re hearing all four members on a new Korean track since the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I get why fromis_9 would want … Continue reading
I’ve got lots of love for a big, dumb EDM chorus. Bonus points if the lyrics instruct you to jump or throw your hands in the air like you just don’t care. When attached to an excellent song, these hooks can transform from cliché to transcendent. I wish P1Harmony’s Jump was such a song. There … Continue reading
I’ve listened to ENHYPEN’s newest album exactly one time — a far cry from playing Manifesto: Day 1 into the ground last summer. Apart from a few sparks of energy, the album is mostly composed of languid mid-tempos. Sacrifice (Eat Me Up) falls squarely into that category. It’s nearly a minute longer than title track Bite … Continue reading
The New Six (formerly TNX)’s era-spanning teasers for new single Kick It 4 Now have been very entertaining. Nostalgia is all the rave right now, and the guys did a great job recreating various pop music aesthetics from the 80’s and 90’s. The song follows suit, delivering a retro taste of new jack swing. I’ll … Continue reading
I wasn’t sure whether Die For Love should be categorized as a “song review” or a “buried treasure.” It has no music video, but it’s listed as one of the title tracks from B.I’s newest album. Whatever you want to call it, this is one of the strongest K-pop songs I’ve heard in awhile. I … Continue reading
Look, K-pop producers… all I want is a great song that stays great all the way through. Is that too much to ask? The teasers for Xodiac’s Special Love seemed to promise bubbly, synth-kissed energy. Its exuberant chorus definitely delivers, but if the entire track had followed suit we might have a Sweetune-esque pop banger … Continue reading
NCT’s Taeyong has released solo work before, but today marks the debut of his first solo album. I’m surprised more NCT members haven’t promoted as soloists. After all, there are so many guys to choose from! To be honest, I didn’t have high hopes for Shalala (샤랄라). Taeyong’s moments in NCT’s tracks tend to drive … Continue reading
fromis_9’s comebacks tend to hang around the mid 8’s on this blog, which isn’t a bad place to be. Their music rarely knocks my socks off, but they’ve developed a stable sound that can be counted on to deliver sleek, streamlined pop. New single #menow adds to this list, neither better nor worse than most … Continue reading
Last time MCND made a comeback, they pre-released a track that turned out to be even stronger than the actual single. I’m not sure if Pop Star portends an eventual comeback, but it’s always nice to hear from the group. If you liked BOYNEXTDOOR’s recent trio of tracks, Pop Star should work for you too. … Continue reading
There are times when you admire something even if you don’t necessarily like it. Stray Kids’ new single S-Class (특) has those qualities. I admire its chutzpah, and I admire the group’s willingness to experiment with sound and structure. This seems to be their answer to JYP Entertainment’s “mixx-pop” endeavor — basically cramming an entire … Continue reading
Wow, it’s been a loooong time since I’ve written about a new single from Zhoumi. He picked a hell of a day to make a long-awaited comeback with SM Entertainment! I can’t help but feel bad for the guy. New single Mañana pairs him with Super Junior’s Eunhyuk, a member he used to work with … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2023 Overall Thoughts We’re not quite to the halfway point of the calendar year, so … Continue reading
The Boyz’ Japanese discography includes some of their best and worst material. New single Delicious leads their upcoming album and splits the difference between these extremes. It’s unlikely to inspire much excitement, but its laidback groove won’t ruffle many feathers either. When first watching this video on YouTube, the algorithm immediately played the chorus of … Continue reading
I was not a fan of HORI7ON’s first pre-debut single Dash, but follow-up track Lovey Dovey dramatically transforms their sound. Gone is the tough-guy chanting of Dash, replaced by pastel outfits and a light funk pop beat that borrows elements of new jack swing. This style appeals to me, even if the song feels a … Continue reading
Following 2020’s I:KAN, NINE to SIX debuts as DKZ’s second sub-unit, consisting of members Mingyu and Jonghyeong. And, they really don’t want you to give them a call… The chorus of Don’t Call Me might work as a combative answering machine message if you’re feeling especially surly. The song harnesses a rugged — almost industrial … Continue reading
Twice’s Hare Hare has been kicking around digital spaces for a few weeks, but I’ve held off writing about it in a J-pop round-up because I knew the music video was just around the corner. Today, we have the visuals to accompany this bouncy dance track. Hare Hare is modern Twice, through and through. It … Continue reading
BOYNEXTDOOR have approached their debut in a similar way to NewJeans, releasing a series of songs and music videos in the lead up to their single album. It’s an exciting way to unveil new talent, though the rollout hasn’t felt nearly as buzzy this time around. After a strong opening salvo, I was less impressed … Continue reading
AB6IX offered an sleek, fashionable vision when they first debuted in 2019, but as the years have gone on I’ve struggled to maintain excitement in their music. Part of this is down to lack of consistency. They’ve struggled to maintain a definable sound and musical perspective, which makes a lot of their work feel generic. … Continue reading
The most notable aspect of CIX’s Save Me, Kill Me is its music video, which brings back the “drama storyline” approach many older K-pop mvs used to favor. It’s angsty and over-the-top and grabs attention. Unfortunately, this drama needs a better soundtrack. Save Me, Kill Me is a real slog. It’s like BTS’s I Need … Continue reading
The Bias List // K-Pop Reviews & Discussion 