There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I don’t like messing with established … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
NCT’s Jaehyun recently completed his military service and will be joining 127 for their comeback later this summer. Before that, he’s back with new solo track 99 Degrees — a stark, emotive ballad with R&B flair. It takes a few key factors for me to enjoy a ballad. As I’ve said many times before, you … Continue reading
This isn’t a uniquely K-pop issue, but I keep waiting for a male pop star to pick up the mantle of showmanship previously held by such titans as Michael Jackson and Prince. K-pop used to be a haven for this style of virtuosic pop star with ambitious artists like Taemin, but the new gen seems … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
New girl group Heart Of Woman has done a nice job promoting their debut album with multiple video clips. Some of these have been lower budget than others, but with visuals such an important part of today’s K-pop industry it makes sense to tie some sort of imagery to the music. And since there’s no … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
I’m no fan of MEOVV’s latest mini album, as it abandons most of the sounds I enjoy from their past music. However, its third track In My Hands stuck out as the obvious highlight to me so I’m glad they’ve chosen to promote it with its own video. Most of Bite Now is braggadocios bluster … Continue reading
Girl group RESCENE have gone viral several times in their career, but this latest boom seems to be sticking. Their 2024 highlight Love Attack has been lodged in MelOn‘s top ten for awhile now. In fact, as of writing this review, it just hit number one. Rather than attempt to steal that song’s spotlight with … Continue reading
Since 2024, TRENDZ have occupied a rare space in Bias List history. They’re one of the few acts to earn a top 5 place in a year-end countdown only to never grace those charts again. As is often the case for groups from smaller agencies, their success is entirely dependent on who they collaborate with, … Continue reading
While it’s important for any group to stretch their sound and try new things, there’s a certain point where a sonic shift completely abandons the identity that made that group fantastic to begin with. Such was the case with AHOF’s Sugar High, which repainted them as the kind of badass, chant-happy boy group that already … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
The phrase “summer special single” always catches my attention. Summer’s my favorite season for music and “special” implies that the song will be distinctly tied to the season. Today, we’ve got a “special single” from rookie boy group AmbiO, who debuted earlier this year. The song’s heart is in the right place, but its execution … Continue reading
Golden Child may be no more as a group, but occasionally we still get new music from its members. Sadly, the indie nature of this music comes along with clear budget restrictions and limited promotion. Listeners who weren’t already a fan of the group might easily miss a song like Blue Moon. Blue Moon comes … Continue reading
Monsta X’s Kihyun first promoted as a soloist back in 2022 but hasn’t made a comeback since. Much of that, I’m sure, is due to a lengthy military hiatus, but new single So Good picks up right where he left off. As expected, it’s a big, rock-fueled ballad. Kihyun has an excellent voice for this … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
VAYONN are the second new boy group to emerge from Kin Jaejoong’s iNKODE label, adopting a brighter sound palette than their hip-hop peers KEYVITUP. They teased their debut with the so-so Watta Day last month, and I suspect that song will play better in the context of an album. The bouyant MUAH! is their big … Continue reading
