EXO have been inaugurated into my “K-Pop A-Z” feature, which means anything they release automatically gets a full review. To be honest, I’ve regretted that rule over the past few years since I haven’t vibed with the group’s albums since 2018. Is there new work REVERXE any different? Read on to find out! 1. Crown … Continue reading
idntt’s Pretty Boy Swag has grown on me a bit, yet still feels like a missed opportunity to do something more melodically ambitious. The rest of the album is quite strong as well. I already featured b-side Rage Problem as a buried treasure and now the guys are promoting Yes We Are with a music … Continue reading
While Catch The Young haven’t exactly caught the charts on fire, they’ve slowly and steadily built a solid discography. Today marks the release of their first full album — a huge achievement for any band. This project is led by title track Amplify, which takes their rock sound in a more energetic direction. I prefer … Continue reading
EXO haven’t had a proper comeback since 2023, but to be honest I haven’t really liked one of their title tracks since 2018’s Tempo — and even that song had some issues for me. These diminishing returns are a far cry from the group’s first seven years, when they reliably churned out some of the … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. During the late-00s/early-10s, there was a … Continue reading
Musical trends come and go in K-pop and usually mirror sounds popularized elsewhere on the globe. Most of these trends start out well enough before the industry eventually drives them into the ground, but a certain trend of the moment has my hackles up already. An increasing amount of boy groups are latching onto a … Continue reading
Misamo is Twice’s first sub-unit, active for almost three years now. I last wrote about them in November of 2024 and now they’re kicking off 2026 with new single Confetti and upcoming album PLAY. As their music has developed, it’s taken on more of an old-school approach. Confetti pull us all the way back to … Continue reading
Somebody’s gotta work on these K-pop names. When I scan ChRocktikal’s band name, my mind wants to see “crocodile” or “cockatiel” and then gets confused and angry when the letters don’t line up the way they should. Regardless, this band has been highly anticipated by fans of Dreamcatcher, whose Siyeon fronts them as vocalist. Post-Dreamcatcher … Continue reading
Male idol solo tracks tend to fit within a few distinct realms these days. Either they opt for a slinky funk track (usually served with a huge side of Justin Timberlake’s Like I Love You), stark piano ballad or light rocker. These archetypes have become so hardened that it’s difficult to pull much enjoyment from … Continue reading
ONEWE are getting into the pre-release game with Ferris Wheel (관람차), which is a taste of their upcoming demo album. The word “demo” feels more like branding than reality here, as I’m not sure songs can still be considered demos after they’ve been promoted with music videos and performed on shows. But regardless of vernacular, … Continue reading
There have been an increasing number of Japanese groups formed by Korean agencies who end up promoting in Korea much more often than their home country. With this in mind, NCT Wish have split their efforts pretty well between the two countries, building a large fan base in the process. Apart from a song here … Continue reading
n.SSign’s sole 2025 single Itty Bitty was a sneaky little earworm, slowly rising to become one of my favorite songs of last spring. The guys don’t promote nearly enough for a group of their stature. They still feel like rookies, despite debuting in 2023. New single Funky Like Me was first premiered last month at … Continue reading
LNGSHOT is the first idol group to launch from Jay Park’s MORE VISION record label. They made a pre-debut last month in the midst of all of my year-end countdowns, so I wasn’t able to write about that song. However, they’ve made their full debut today and I’m ready to dive in. I grew up … Continue reading
ILLIT have a knack for releasing viral songs — or at least dance challenges that make their songs go viral. The ultra-subdued Not Cute Anymore is currently enjoying a run on the charts that has prompted the group to get back on music shows for additional promotions. In the midst of this, they’ve released the … Continue reading
Though their music has been very uneven so far, I find ALLDAY PROJECT a pretty exciting addition to the current K-pop landscape. Certain members court controversy, which only adds to their appeal for some fans. For my part, I’m just happy to see another co-ed group becoming successful in K-pop. I wish we had more … Continue reading
KiiiKiii had a strange debut year, moving from ultra-quirky sounds to much more straightforward fare before going silent for the last chunk of the year. That was in preparation for their upcoming comeback due at the end of this month. From initial teasers, they seem to be embracing their quirkier side once more, though little … Continue reading
As members are entering the military one by one, Seventeen has smartly reconfigured its promotions into units. This isn’t unique for the group. Their structure is designed as three teams combining into one larger group and they often feature unit and solo tracks on their albums. Vocal led ballads are also common for the group, … Continue reading
Recently, idol groups spawned by survival series have subverted corporate expectations and developed signature sounds that give them a unique identity in the K-pop market. AHOF, Close Your Eyes and NouerA all come to mind as great examples. However, CJ ENM and their label WakeOne Entertainment are as corporate as it gets and watching season … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
The Bias List // K-Pop Reviews & Discussion 