At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
PREVIOUS RECAPS: Episode One // Episode Two // Episode Three // Episode Four // Episode Five // Episode Six // Episode Seven As we enter the next round, Produce 48 alum star Jo Yuri arrives to go over the details of the Class Switch Position Battle. As usual during this point in the series, the … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of K-pop’s most innovative and accomplished producers and composers. EL CAPITXN … Continue reading
Over the years, Stray Kids have grown into one of K-pop’s premiere groups. In fact, their popularity is so global that it almost feels as if they’ve transcended the industry altogether. Once upon a time, they also topped my year-end singles chart. Gosh, that seems like lifetimes ago. The group is back today with their … Continue reading
K-pop collaborations with global artists have become much more common over the years and exist across a wide spectrum. For every Rosalía and Megan Thee Stallion there’s a Maroon 5 and Alex Warren. NMIXX have already experimented with their music in many ways, so you’d expect them to choose an interesting collaborator as well. For … Continue reading
EXO’s Chanyeol is slated for another solo album soon, and today he’s teasing us with pre-release Happy Accident. Alongside female vocalist Sole, he’s delivered a vibey slow burn guaranteed to take the edge off any feelings you may be having today. Chanyeol’s singing voice has a very calming quality and works well within this sonic … Continue reading
For the first time in years, I listened to Teen Top’s first full album No.1 yesterday. Apart from some classic singles, the album itself is just okay, but it opens with a hilariously overblown intro that made me miss some 2013-era K-pop’s inherent silliness. Teen Top are one of a few second-gen groups who still … Continue reading
In many ways, 8TURN’s December single Like A Friend was the smash that got away — a spring/summer track released in the dead of winter as everyone was cobbling together their year-end best-of lists. Making matters worse, the group never promoted it until weeks later. I haven’t listened to that song nearly as much as … Continue reading
Moonbyul has proven to be one of the most prolific Mamamoo members, releasing multiple singles during each of the past few years. This music has covered a large amount of ground, making her solo career quite unpredictable. That chameleon-like quality continues on Goodbyes And Sad Eyes. Judging simply from its title, you’d expect some mopey … Continue reading
I haven’t written about a new Secret Number track in almost two years. The group has never quite been able to crawl out of nugudom, but that’s not due to a lack of talent. Secret Number became known for their vocals early on and have been at their best when given material that spotlights that … Continue reading
Kep1er’s most recent Korean title track Tipi-Tap felt like a non-entity — a song so slight that it tippy tapped its way from memory almost instantly. But after that, they released the surprisingly boisterous Yum in Japan. After performing that song at this year’s KCON LA, they teased new single Bubble Gum. This song exists … Continue reading
Monsta X are celebrating their tenth anniversary with their first album in two years. We’ll have to wait a couple weeks to hear the full project, but like so many others they’re teasing us with a pre-release today. While watching their set at this year’s KCON LA, I noticed how heavy it was on their … Continue reading
I don’t know why all these distinctly summer songs are releasing right before I have to go back to work for the new school year, but the timing is not to their advantage. Summer songs need weeks to brew and connect with all the great experiences listeners enjoy during the season. At any rate, Red … Continue reading
First impressions are important, and in K-pop they often come via pre-release. Big Hit’s new boy group CORTIS made a lousy first impression with GO! last week. However, I’d say a follow-up is even more important than the first impression. With new expectations and information driving the listener experience, this is where an artist either … Continue reading
BOYNEXTDOOR made their official Japanese debut last summer, but it was with a re-recorded version of a single they’d already released in Korea. Count To Love is their first original J-pop single, and thus feels more like a proper step forward for them. It’s also the first BOYNEXTDOOR single to directly echo the sound of … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
PREVIOUS RECAPS: Episode One // Episode Two // Episode Three // Episode Four // Episode Five // Episode Six Guys… this new episode is almost three hours long and all they’re doing is announcing rankings. I’m not watching all that. Sorry, even I have my limits. However, I figure there are readers who would still … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Not too long ago (2021, to … Continue reading
K-pop album promotion cycles are usually short, and as norms have changed in the Western pop market that brevity has become the case here as well. Artists often release several songs leading up to an album but rarely promote any new singles beyond that. With Dream, BLACKPINK’s Lisa has plucked a track from her February … Continue reading
The Bias List // K-Pop Reviews & Discussion 