After the disbandment of Wanna One, many of its members had newly-formed groups to conveniently slide into. But, some of the most popular Wanna One personalities were heading back to an agency without any announced plans. In some cases (Kang Daniel), this resulted in a messy situation. For others (Ong Seungwu), it’s more of a … Continue reading
The smartest thing that ATEEZ have done so far is stick with the same team of producers for each and every track. Like many newer K-pop acts, they self-produce a fair share of their material, but the already-iconic ATEEZ sound is driven most strongly by behind-the-scenes talent in the form of Leez, Eden, Buddy and … Continue reading
I would not be surprised to see ATEEZ completely blow up over the next few years. They give me similar vibes to early BTS, both in sound and ambition. For their third mini album, the guys hosted a public vote between songs Illusion and Wave. Both would receive music videos, but only one would be … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Teen Top’s new single Run Away begins to feel even more … Continue reading
I must be getting old, because I’ve got absolutely no idea who this HRVY guy is. For some fans, much of Don’t Need Your Love’s appeal will likely lie in the interaction between the British singer and NCT Dream. For me, the song is most notable for being the first Dream release not to feature … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are few things I love more than a solid K-pop … Continue reading
As SM Entertainment’s most established solo artist, BoA has earned the right to release what she wants, when she wants. 2018 may have been underwhelming in many ways, but it gave us two BoA comebacks (with three promoted songs in Korea!), helping to cement her reign as the queen of K-pop. Comparatively, new self-penned single … Continue reading
There aren’t many pre-2012 boy groups left standing in K-pop, and even fewer that are still actively releasing music. With that in mind, you’ve got to give it up for Teen Top. Their output has never been the most popular or chart-conquering, but they keep chugging along with consistency. Run Away is taken from their … Continue reading
I am of the K-pop camp that firmly enjoys artists with a signature sound. Cosmic Girls established theirs right off the bat, and have been deepening that spacey, synth-dripped style ever since. Whenever they’ve gone off course (the Twice-esque Happy and bubblegum pop Kiss Me), their music has suffered. So, when it was announced that … Continue reading
Up to this point, fromis_9 have established an upbeat sound for themselves, pin-balling between hyper-cute quirkiness and more refined dance pop. Last year’s Love Bomb melded these two styles to great success, but new single Fun squanders much of that potential. While I can appreciate its bonkers approach to pop music, it’s the rare K-pop … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though I don’t think I’ll ever enjoy ONEUS’s Twilight as much … Continue reading
The dissolution of B1A4 didn’t seem to send shockwaves through the K-pop industry last year, but it was a personal blow. At their peak, B1A4 were one of my top three bias groups, and offered a specific pop sound that no current act is tackling. Though they may still exist as a trio, the B1A4 … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2019 Overall Thoughts After an underwhelming April, the month of May began to right the … Continue reading
How to review a song like Summer Night (여름밤)? I deliberately steer away from this kind of subdued acoustic-pop because there’s just not much to write about it. Yes, this is a song. Yes, it has some vocals and a melody and even some instruments. And yet, I come away from Yoona’s new single feeling … Continue reading
It’s been over three years since Lee Hi’s last comeback, so the fact that I’m writing about her at all feels like a minor miracle. But, this long hiatus carries with it a very real danger. The longer fans wait, the higher expectations rise. After three years, the desire for a momentous, iconic song only … Continue reading
As spring heads into summer, we’re beginning to hear follow-up title tracks from 2019’s January debuts. An artist’s second single is almost as important as their first. While you only get one chance to make a first impression, the K-pop market is fickle and fast-moving. Debut years are all about multiple comebacks and signature sounds. … Continue reading
This January, CLC out-(G)IDLE’d (G)-IDLE with the Soyeon-composed No. That quirky, attitude-driven track seemed to spark a sonic revolution in the group, drawing upon their charisma for an ear-catching performance. New single Me (美) harnesses that same vibe, but comes across as diminished returns. The first time through, it’s easy to compare Me to 4minute’s … Continue reading
Another day, another 2019 debut. OnlyOneOf’s claim to fame comes via a connection with much-hyped girl group LOONA. The guys were initially cobbled together within the same agency, Blockberry Creative, and share a creative director in Jaden Jeong. They’ve since transferred to a new agency, and don’t seem to be pursuing the solo-tracks-before-group-tracks strategy that … Continue reading
The Bias List // K-Pop Reviews & Discussion 