Chungha has enjoyed sustained success since her post-IOI solo debut in 2017. With each and every single, I’m surprised by just how long her music stays on the charts. But, there’s definitely been a hole in the K-pop market for a female soloist — an heir to BoA’s throne, if you will. With the early … Continue reading
Cosmic Girls have slowly blossomed into one of my favorite girl groups working today, and with new single Boogie Up they officially have enough music videos for a top ten ranking! Over the years, they’ve developed an instantly recognizable style for themselves, but have also had the opportunity to explore new sounds. Some of these … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Red Velvet’s Zimzalabim has proven to be one of the year’s … Continue reading
With K-pop becoming more global by the year, it makes sense that we’re seeing more acts specifically target Western audiences. BTS have gone about this the right way, refusing to sacrifice their sound (or language) simply to fit in. Too many K-pop artist have tried to crack the American market with sub-par, English-language material. Few … Continue reading
Groups of N.Tic’s stature are often overlooked. Without access to the K-pop industry’s best songs, best producers or best anything, it can be hard to deliver a knockout track. Yet, N.Tic offered a solid one-two punch over the course of their debut year, thanks largely to up-and-coming production team Code 9. The exhilarating Do You … Continue reading
Stray Kids are a difficult group to decipher, and I’m starting to think they like it that way. March’s Miroh was a watershed moment for them, and remains one of 2019’s finest singles. By bolstering their hard-hitting hip-hop sound with equally impactful EDM influence, the song seemed to spark a newfound ambition in the group’s … Continue reading
Red Velvet’s 2018 hit Really Bad Boy proved to be one of their most polarizing yet. Given this, it would’ve made sense to return to a more straightforward release this summer. And when it was announced that new single Zimzalabim (짐살라빔) would be co-composed by Red Flavor producers Caesar & Loui, it seemed that we … Continue reading
Super Junior’s Yesung first debuted as a soloist in 2016, and pretty much all of his Korean work has gone down the same emotional ballad route. He’s an excellent vocalist, for sure, but my favorite Yesung track is actually 2017’s Splash, an uptempo J-pop single that positioned him as an easy-listening, funk-pop performer. Thankfully, Pink … Continue reading
VIXX’s Leo made his solo debut last summer with the Taemin-esque Touch & Sketch. Now, he finds himself in the same place as many of his third-generation K-pop peers: counting down the months until mandatory military conscription. VIXX has already seen its leader, N, enlist earlier this year. Leo is only four months younger, so … Continue reading
SF9 have always struck me as the quintessential, generic boy group. Talented, yes, but without a defining style or concept that would make them memorable. Their singles tend to feel like the kind of grab bag fare doled out on survival shows like Produce 101. You get the sense that any K-pop group could tackle … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. As expected, Yunho’s solo album is a very strong body of … Continue reading
To say that Lay’s solo music is not for me would be an understatement. Apart from a solid track here or there, I find that most of his work represents the worst of what modern-era pop has to offer. It’s hookless, joyless and utterly devoid of originality. Fun fact: he’s the owner of the lowest-rated … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The past few months have given us a handful of spectacular … Continue reading
Between their Korean and Japanese promotions, IZ*ONE are set to accrue the largest discography of any Produce 101 group yet. Their cross-country releases are a shrewd business move, but I’m curious whether the girls will be able to maintain a high quality once they’ve moved beyond first few singles. That has always been an issue … Continue reading
It’s been a long road leading up to Jeon Somi’s solo debut. As the center for I.O.I, she enjoyed instant fame and shouldered endless speculation over where her career would go after the project group split up. After signing with YG’s Black Label (an unfortunate move, given recent YG-related scandals), she’s been paired with producer … Continue reading
So far, Noir’s music has reminded me of the famous Shakespearean phrase: “full of sound and fury, signifying nothing.” I bet you didn’t expect me to open a K-pop review with a quote from Macbeth, but it seems apt here. We can forget the “told by an idiot” part of the phrase, because Noir seem … Continue reading
My anticipation for TVXQ’s long-awaited comeback was through the roof last year, but things didn’t go exactly as I’d hoped. Yes, the duo delivered two very solid albums, but each lacked the classic SM Performance sound that I’ve long associated with their music. Luckily, Yunho is making up for that with his (even longer-awaited) solo … Continue reading
Paired with the more uncharacteristic Breakthrough, Happy Happy is one half of a double-sided blitz from Twice’s upcoming Japanese promotions. The two songs come together to represent contrasting moods for both hot summer days and steamy summer nights. As you might have guessed from its title, Happy Happy is dedicated to fun-in-the-sun excitement, and falls … Continue reading
With a title like Breakthrough, you better have the goods to deliver. Thus far, Twice’s Japanese material has ranged from fair to frenetically frustrating. Last year’s BDZ hinted at some musical progress, but their immense popularity doesn’t exactly spawn motivation to change. More than a breakthrough, the group needs to take a sledgehammer to their … Continue reading
The Bias List // K-Pop Reviews & Discussion 