H//PE Princess took the unusual approach of releasing their title track weeks before the mini album dropped. Stolen was a repetitive but weirdly enjoyable take on retro hip-hop, but follow-up One Day reveals a new side to the group. For an act billed as a ‘hip-hop girl group,’ they’ve got some solid vocalists on their … Continue reading
Taeyang’s new album is a mixed bag of styles, with few of them fully-realized in the way his best work has been. The strongest material hearkens back to eras past while infusing its sound with more modern touches. Such is the case with Would You, which feels like a long lost 2000s Taeyang track while … Continue reading
There are some groups in K-pop that I want to love even as their music keeps me at an arm’s length. Such is the case with XLOV, who have a wonderful concept and compelling imagery. However, most of their songs just haven’t matched that potential so far. Because of this, I’m happy to see them … Continue reading
IDID made a quick comeback after their September debut, but left fans waiting after that. Six months later, they’re finally back with new single Fly!, melding their old-school hip-hop sound with upbeat melodies. This fits squarely within a realm of current new-gen boy group sounds where acts flip the aggressive, hard-edged hip-hop of the fourth … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
The members of KARD have been consistently releasing solo work over the past few years, and now it’s J.seph’s turn to show what he can do. As one of two male members in the group, it feels like he was often in the shadow of BM, whose charisma has a much louder approach. This makes … Continue reading
Whenever I write about a Boyfriend song, I find myself begging readers to go back and check out their discography. To my mind, they have one of the most underrated catalogs in all of K-pop — especially if you enjoy the work of producers Sweetune. Unfortunately, their last six years have been a series of … Continue reading
Amidst the back-and-forth between ZEROBASEONE and AND2BLE, it can be easy to forget that there’s a new reigning champ in Boys Planet world. ALPHA DRIVE ONE made their debut earlier this year with a non-starter of a dance/hip-hop track, though as predicted the album sold well over a million copies. Another album is scheduled for … Continue reading
To my memory, we’ve never seen a popular K-pop group split in half and re-debut as two separate groups within a week’s time. Such is the case for the newly-reconfigured ZEROBASEONE and AND2BLE, which takes four former members and adds another. Head-to-head comparisons between the two groups will be inevitable and I wouldn’t be surprised … Continue reading
Today may be a barren day for new K-pop releases, but IVE have slid into the empty slate with a music video for new Japanese single Lucid Dream. Their Japanese work has been a mixed bag so far and overall feels pretty inessential. This track does nothing to buck that trend. For Lucid Dream, the … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The other day, I had a … Continue reading
It’s been interesting to watch LE SSERAFIM’s trajectory shift over the years. They debuted with a sleek, stylish sound and a tight team of collaborators led by the once-great production duo Score and Megatone. But as time has gone on, the group’s music leaned further toward novelty, seemingly designed for memes and short-form content. This … Continue reading
