Bigbang may be one of the biggest k-pop acts around, but they’ve also mastered the art of solo releases. Each of their five members has released solo work tailored specifically to their strengths. Most of these have fit comfortably within the Bigbang brand, but power vocal Daesung has branched out even further, carving an immensely … Continue reading
After being hinted at for years, Girl’s Day‘s highly anticipated comeback feels almost like a k-pop urban legend. It’s unusual for acts to take such a long break between albums, especially considering that the girls’ last track (2015’s Ring My Bell) didn’t quite reach the commercial heights of their biggest material. With all this pent-up … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. GOT7 are one of those groups that keeps a pretty steady quality when it comes to their music. I found it difficult ranking b-sides because there are so many … Continue reading
Though k-pop rises or falls on the strength of its singles, a group’s real strengths can often be found in the lesser-known material that makes up their mini albums and full lengths. The definition of “album” in k-pop is so wide that I’ve got to lay down some ground rules before composing any sort of … Continue reading
When it comes to prevailing tastes, Korea and I usually agree. But try as I might, I’ve never been able to fully understand IU’s enduring stranglehold on the charts. By all accounts, she seems like a lovely person. And being a successful actress certainly boosts her profile. I appreciate her willingness to go vintage when … Continue reading
Of all the girl groups in k-pop, few are as underrated as Nine Muses. Though the group has released a string of super-solid singles, they’ve never been able to break through to the big leagues. Some of this might have to do with the seeming instability of the group itself. At various points in their … Continue reading
Shinee are one of the big ones. Not only are they a part of my top three k-pop groups of all time, but they’re just one of those groups that instantly come to mind when I think the word “k-pop.” They’ve covered so much ground during their career, and really pushed the genre’s boundaries while … Continue reading
Now that Pledis Entertainment has hit big with Seventeen and revitalized their standing as a k-pop powerhouse, the agency is banking on the same successful trajectory for its new girl group, Pristin. Things certainly seem promising. Among Pristin’s ranks are several girls from the mega-successful Produce 101 series, including Pinky and Nayoung who actually debuted … Continue reading
Despite a general shift toward lighter, more ebullient fare in k-pop over the last year, Monsta X have never strayed too far from their hard-hitting sound. Last October’s bombastic Fighter was a red herring in their discography, but one that I personally enjoyed very much. With Beautiful (아름다워), they’re back to what most listeners love … Continue reading
Of all current k-pop acts, none feels more closely tied to America than BTS. This is kind of ironic, since many groups nowadays count American members among their ranks. In contrast, all seven members of BTS hail from Korea, and only their leader Rap Monster speaks fluent English. Nonetheless, their music speaks to international audiences in … Continue reading
It’s been eight years since CNBLUE made their debut. After so long, it’s got to be hard to keep new material fresh. I imagine that rock groups find it particularly difficult, as the k-pop world affords them a smaller selection of concepts compared to their more performance-based peers. And as much as I have enjoyed CNBLUE’s … Continue reading
As Beast closed out their career with the melancholic drama of last summer’s spectacular Ribbon, the newly renamed Highlight opens theirs with a much more upbeat offering. The guys have been self-composing their material for awhile now, but leaving their former agency has given them license to try on some new sounds. This is a pretty … Continue reading
Debuting with YG Entertainment in 2014, sibling duo Akdong Musician are the very best act to come out of competition series K-Pop Star. Their acoustic pop sound pulls in a seemingly endless mix of genres, bursting with creativity and a sense of boundary-pushing inventiveness. Despite only having three proper studio albums to their name, they’ve … Continue reading
It’s no secret that plastic surgery is rampant within the idol world (and really, Korea as a whole), but crafting an entire comeback concept around it is pretty audacious. Sixbomb are no stranger to controversy, and Becoming Prettier (예뻐지는 중입니다 After) sees them physically altered as a sequel to their pre-surgery single last month. Some … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. E-TRIBE Years … Continue reading
It must be a tricky choice when deciding how to debut a new group from a small agency. Without name recognition or pre-debut hype, a rookie’s success lies solely on how their first several tracks are received by the public. So do you try something out-of-the-box in hopes to appeal to Korea’s fickle taste? Or, do you … Continue reading
Akdong Musician have always seemed older than their years, bringing a sense of world-weary maturity to even their lightest pop songs. Since their first album in 2014, they’ve been going from strength to strength on the back of older sibling Lee Chanhyuk’s brilliant songwriting. And with The Tree (나무), they’ve brought that idiosyncratic vision to … Continue reading
With less than a week to go until spring, it’s the time of year when Korea unleashes a torrent of light, acoustic pop in keeping with the season. It’s hard for me to write about songs in this k-pop sub-genre without bias coming in to play. It’s not that I can’t appreciate a laid-back, guitar-strumming … Continue reading
Of the many, many rookie groups in k-pop at the moment, the one I’m rooting for the most strongly is Snuper. Their endearing goofiness and solid teamwork reminds me a lot of Infinite during their debut years. And then there’s the Sweetune-produced music, which has been absolutely fantastic. Over the past few months, the group has gained … Continue reading
B1A4 have recently switched agencies for their Japanese material, signing with the massive Universal Music Japan. While this irritates me on a personal level since Universal almost never uploads full versions of music videos, it’s certainly an upward move for the group. I love how both of their j-pop labels have let them compose most … Continue reading
The Bias List // K-Pop Reviews & Discussion 