A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. IVE’s I Am is by far … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Earlier this year, Kep1er released Japanese … Continue reading
Well, we finally have another soft drink anthem to compete with NewJeans’ Zero. Between these two tracks, Coca Cola has to be pretty stoked — especially since both revolve around a chorus that’s essentially a repeated incantation of their product. Even though it feels like one, I don’t think Yeeun’s Cherry Coke is an actual CF. … Continue reading
Camellia (얼어있는 길거리에 잠시라도 따듯한 햇빛이 내리길) acts as a pre-release for Just B’s upcoming comeback and a taste of what the members can do when self-composing. In K-pop, self-composed tracks are usually slower and more contemplative in nature. I’m not sure why this is beyond the fact that many idols seem to prefer coffeehouse-style … Continue reading
First off, the phrase “blank effect” pretty much describes my reaction to the majority of K-pop this year! Secondly, I really like Park Jihoon as an idol but often struggle to embrace the music he makes. When he hits it out of the park, the result is super impressive — like this or this. But … Continue reading
DreamNote’s Blue was a refreshing palette cleanser — a pre-release that showcased their vocals and brought a shot of emotion to their underrated discography. As its title might suggest, Lemonade is much brighter and bubblier. As far as this specific K-pop style goes, Lemonade is a solid example. There’s not much critique I can offer … Continue reading
Lee Chaeyeon’s debut album was a quirky introduction that stood out. It seemed to promise an interesting musical future for the soloist, and if WM Entertainment’s track record is anything to go by, we’re in for a wild ride. New single Knock is another step in the right direction, though it falls short of becoming … Continue reading
Sometimes a song’s first few seconds tell you all you need to know. X:IN’s Keeping The Fire opens with a limp brass loop — a style popularized by songs like BLACKPINK’s Kill This Love. Of K-pop’s many tropes, this is one of my least favorites and almost guarantees a track will be anchored by some … Continue reading
It’s been almost a year since we heard from KARD, and to be honest I can’t remember much about their last title track. But, they’ve made a subtle sonic shift for new single Without You – opting for a club-ready sound that retains many of the elements that made them popular in the first place. … Continue reading
In my mind, IVE are the most exciting girl group working in K-pop right now. This bore out across 2022, as they blitzed the market with a succession of addicting (and highly successful) singles. While incorporating popular trends, their music aims for the pop jugular in a way few others do. They’re not afraid of … Continue reading
I wasn’t going to recap Boys Planet (and technically, I’m still not doing it), but I’m watching the series and thought others might appreciate a spot to discuss it. So, each week I plan on dumping a few of my random thoughts about the show. Again, this will not be a full, detailed recap. But, … Continue reading
K-pop groups must stop unveiling their music videos before their album release. It seriously messes with my review schedule! To make matters worse, I had nearly finished my write-up for Kep1er’s Giddy when the song froze and contorted into a harsh sound of mangled metal. My computer locked up and I was forced to do … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of K-pop’s most innovative and accomplished producers and composers. FULL8LOOM Years … Continue reading
Rumors have been swirling that Mark’s new solo track Golden Hour is a Gordon Ramsay diss track, stemming from an infamous Twitter exchange. The idea alone is humorous. But although the famous chef is mentioned in the lyrics, the song itself is much weirder and more inscrutable. Whatever I may think about Golden Hour (honestly… … Continue reading
The BTS solos continue to arrive at an ever-increasing pace. Mere weeks after Jimin dropped his debut solo album, groupmate Suga has returned with a pre-release for his latest work under the Agust D moniker. People Pt.2 (사람 Pt.2) pairs him with IU for a sonic sequel to his 2020 track People. This song is … Continue reading
Le sigh. It’s a bunch of super-generic boy group slop this year. But, is any of the slop tasty? The answer is… vaguely so. Thoughts on BOYS PLANET Episode One Thoughts on BOYS PLANET Episode Two Thoughts on BOYS PLANET Episode Three Thoughts on BOYS PLANET Episode Four Thoughts on BOYS PLANET Episode Five Thoughts … Continue reading
This is an interesting collaboration. I didn’t expect to see Heize pair with producer R.Tee, resulting in a sound that’s far more dancefloor-oriented than most of her work. Similar to his 2019 track with Anda (still a banger btw), Vingle Vingle (빙글빙글) centers around an instrumental-drop-as-chorus. If you must employ this overused trope, you better … Continue reading
The Faker Club label is on a roll, producing some of the industry’s most addictive synthpop. It’s been a joy watching from20’s career blossom from cool indie artist to impressive pop star. Last August’s Chemical became one of my most-played songs of 2022 and new single Bad Revenge maintains its undeniable flair. The production on … Continue reading
Every Apink review should start with a recognition of the group’s longevity. The fact that they continue to release new music is admirable and it’s great to have more active sunbaenims in K-pop’s girl group sphere. Even if I haven’t connected with much of what they’ve done post-2019, Apink have consistently delivering strong, stylish material … Continue reading
In this feature, I zoom into some of K-pop’s most legendary weeks — short periods of time that delivered multiple classics. K-pop is usually a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. Here, I’ll through … Continue reading
The Bias List // K-Pop Reviews & Discussion 