“XngHan & Xoul” may not be a familiar name yet, but “RIIZE’s Seunghan” certainly is. Seunghan debuted with SM Entertainment’s RIIZE in 2023 but was forced out of the group soonafter for insanely ridiculous reasons. For a moment, it seemed as if he would re-join their ranks, but fan toxicity caused him to debut as … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
Infinite members have remained busy since their return in 2023, and that includes solo projects. As a massive fan of the group (I’d still consider them my ultimate bias), I haven’t cared for much of the music to come from this era but I wish the guys well and hope for their continued success. Main … Continue reading
Less than a month since the release of their new Korean album, Twice have already returned with the lead track of their upcoming Japanese album. They’re certainly busy, and Enemy represents a new sonic challenge for them. The group has long been known for their glossy pop sound but this track injects a grittier rock … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
I’ve had my eyes on Dragon Pony since their stellar debut last year. Follow-up Not Out took their music in an angstier direction, but maintained their knack for a strong chorus. New single Radio Silence (지구소년) finds a middle ground that infuses an energetic sound with plenty of emotion. An Tae Gyu’s vocals remain the … Continue reading
With last year’s NEMONEMO, Choi Yena took on the mantle of quirky K-pop performer formerly held by groups like Orange Caramel and Crayon Pop. With so many acts proclaiming their badassery in the most serious way possible, a little irreverence is more important than ever. She’s also got a rocker-girl aesthetic, and new single Being … Continue reading
Before we get going with the dreaded Signal Song competition, we’ve got a few more introductory performances to get through. We’re back with the second episode of the “Planet C” half of this season. Technically, though, it’s episode four of the season. Confusing? Of course! PREVIOUS RECAPS: Episode One // Episode Two // Episode Three … Continue reading
Mandatory military enlistment can often be a big hurdle in a male idol’s career, but WOODZ has seen his popularity skyrocket during the time he was serving. I can’t remember such a huge enlistment-era glow-up happening before, and WOODZ seems eager to capitalize on the surge. Ahead of a new album, he’s released new song … Continue reading
AHOF debuted with a splash earlier this month, quickly winning music shows and my own playlist with their fantastic Rendezvous. The rest of their mini album is more subdued than I’d like, but the strength of its title track has me revisiting the b-sides more often than I usually would and every one of them … Continue reading
2025 has been the year of rookie boy groups spawned from survival series. NouerA, AHOF and Close Your Eyes have led the charge, each delivering great music that feels unique to them. Next up is SEVENTOEIGHT, emerging from SBS’s series SCOOL, which concluded late last year. Confusingly, there are six members of this new group, … Continue reading
Last week, EPEX teased their new album with pre-release Picasso — a track so confrontational and unpleasant that it seemed to put a curse on the entire industry. Seriously, every new song released in its wake has struggled to reach the high quality of July’s first half! Now, the group is grateful for our collective … Continue reading
By 2025 standards, The Boyz’ excellent VVV did everything it could to buck the year’s most regrettable trends, turning its energy way up, adding a great series of catchy melodies and stretching the track to nearly four (!) minutes to accommodate multiple musical goodies (a bridge! a dance break!). No wonder it’s one of the … Continue reading
As is often the case with J-pop singles, ENHYPEN’s Shine On Me has been available for a few weeks now, but today it’s finally paired with its half-animated, half-live action music video. As a straight-down-the-middle ballad, the song offers a different texture for the group. This style of lovelorn summer ballad rears its head every … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Before we get going with the dreaded Signal Song competition, we’ve got a few more introductory performances to get through. Week Two of Boys II Planet is again giving us two separate episodes — one for K and one for C. Please, please tell me this will not be the norm going forward. I can’t … Continue reading
When talking about girl group vocals I love, Woollim Entertainment’s Lovelyz often comes up. The group is home to some of my favorite vocal tones in K-pop, and Ryu Sujeong is certainly one of them. Since Lovelyz went on hiatus she’s developed an indie-pop solo career, most of which I haven’t written about here. However, … Continue reading
iKON’s Jay made his solo debut back in 2023 with a smooth R&B sound that was high on style but low on the kind of addictive melodies that usually make my ears perk up. He’s set to release a new album next week, and prior to that he’s dropped pre-release track We Can’t Explain. This … Continue reading
ASC2NT debuted last year and caught my attention with their strong vocals. Neither of their songs so far have fully taken advantage of this asset, but I can tell the group could do great things with the right material. New single Don’t Move gets closer to fulfilling that potential, offering an addictive electro thump. We’ve … Continue reading
The Bias List // K-Pop Reviews & Discussion 