There are two ways to approach NCT Dream’s Go, and each will color your perception of the song in vastly different ways. Up until now, Dream has acted as the pop-oriented unit of NCT, and the delivery method for the music most closely aligned with my personal taste. Their 2017 My First And Last remains … Continue reading
We’re just over two months in to this new year, and though February proved to be something of a non-starter, I’m feeling very optimistic about what 2018 is going to bring in terms of k-pop. I feel like I spent much of 2017 (and some of 2016) railing against Westernized trends that seemed to have … Continue reading
When Super Junior made their long-awaited comeback late last year, member Sungmin did not participate. You may assume this was due to some terrible crime or clash of personalities, but this self-imposed exile really came down to one factor — and it’s one of the stupidest “controversies” in recent k-pop memory. The guy got married … Continue reading
Rightly or wrongly, I’ve always regarded mixtapes as stream-of-conscious endeavors, dedicated to offering a glimpse at an artist’s persona rather than delivering what we might think of as a traditional hit. Even if an individual song is given a music video, it still doesn’t necessarily feel like a “real” single. But if anyone is going … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Cosmic Girls are at their best when they highlight the “cosmic” part of their name. Last summer’s Happy was a fun, peppy diversion, but tried to emulate too many other girl groups and came off as overly derivative. 2016’s Secret established the perfect signature sound for the group, and became one of that year’s biggest … Continue reading
Prior to their debut, N.Tic gained more notoriety from member Jion’s ultra anime style face than the prospect of any music they may be releasing. I suppose everybody needs a gimmick — and judging from the group’s low budget music video, any press will be good press for N.Tic. It’s surprising, then, that their debut … Continue reading
Since their debut in 2016, SF9 have flirted with a variety of genres and sounds. With October’s O Sole Mio they seemed poised for a breakout, exploring the kind of Latin influences that had been conquering the global music scene for months. Because of this, it’s surprising to hear that they’ve pulled a one eighty … Continue reading
Some matches are made in heaven, and Infinite‘s Kim Sungkyu + Nell’s Kim Jongwan is one of them. Not only did Jongwan compose all of Sungkyu’s 2015 mini album 27, but he’s often been lauded by the man himself as the performer that inspired him to become a musician. Now, the duo have returned after … Continue reading
As we continue to build towards the unveiling of NCT‘s first full-length album, Baby Don’t Stop is the second volley in a series of pre-releases by sub-units of the group. Last week’s Boss set the bar pretty high, but to be honest I didn’t expect much from Stop. Taeyong and Ten are two of NCT’s most … Continue reading
Twice debuted just over three years ago, but their unparalleled success has been buoyed a work ethic that’s driven a steady stream of singles. Though their Japanese releases leave something to be desired, their robust Korean catalog has largely been a ton of fun. Here are their best: Updated 2-4-19 10. Signal (2017) Signal‘s incessant bass … Continue reading
Twice have enjoyed a meteoric rise in Japan, quickly reigniting the female side of the hallyu wave. I only wish that this success was accompanied by music that felt as fresh as most of their Korean output. So far, singles One More Time and Candy Pop have largely adhered to the tropes one might expect … Continue reading
In the (almost) three years since their debut, CLC have cycled through just about every girl group concept you can imagine. Yet, none of these changes in style has led to lasting commercial success. And quite frankly, none has resonated all that strongly with me either. With new single Black Dress, the girls are moving … Continue reading
Less than a year into their debut, girl group Weki Meki have quickly become lodged in a frustrating dilemma: their album tracks are consistently superior to the songs they’re given to promote. This pattern began with August’s noisy I Don’t Like Your Girlfriend, which came across as nearly atonal compared to the five tracks that … Continue reading
Just over two weeks ago, BoA pre-released single Nega Dola. I was a bit hesitant with the song, but it’s since grown on me quite a bit. That’s one of the frustrating things about end-of-the-month releases. I never really get to reflect their growth in my “top 3 k-pop songs of the month” round-ups. One … Continue reading
Like a handful of mid-tier groups from their era, Boyfriend have established a more lucrative career in Japan than their native Korea. That’s a shame, because they have one of the strongest (Sweetune-produced) runs of title tracks that k-pop has ever given us. I’d love to see them make a resurgence in their homeland now … Continue reading
After last week’s pre-release Star, Highlight’s Yoseob is back with the title track from his second mini album. “Where I Am Gone” may be a baffling English translation that feels like an affront to the very idea of syntax, but its mid-tempo sound returns Yoseob to the days of his 2012 solo debut, Caffeine. It’s … Continue reading
This year, NCT have finally embarked on a promotional cycle as ambitious as their unique configuration. Over the next few weeks, we’ll be treated to new releases by various units within the now 18-member group — all leading up to their first full album. To kick things off, NCT U (a rotational unit free from genre … Continue reading
Now that the top eighteen idols have been crowned and Units B and G are finalized, it’s the perfect time for a retrospective on survival show The Unit’s hefty discography of songs. Like similar series before it, the show spawned a number of digital singles — from full group anthems to competitive sub-unit standouts. With … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Fans of BoA are quite spoiled this February, with both … Continue reading
