At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Fresh off their pre-release ballad Saturn last week, MADEIN are back with their latest title track Love, Afraid (사랑, 두려움). That title might as well stand for the dueling emotions listeners have felt before and after sexual abuse allegations were leveled at the group’s CEO. It’s a messy, unsure time to be a MADEIN fan, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Let’s get the elephant out of the room first. Since I last wrote about MADEIN, member Gaeun withdrew from the group after alleging sexual harassment from the CEO of the group’s agency. Given 143 Entertainment’s messy reaction and the general repulsiveness of the allegations themselves, I understand why you might want to stop reading now … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
Before I take a look at K-pop’s established artists, it’s time to spotlight this year’s fresh crop of talent! When I ran my first-ever Bias List survey, I was surprised when the majority of respondents noted that this year’s rookies were not particularly exciting. But when I took a look back at the year as … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. MADEIN’s title track Uno is among … Continue reading
Last August, the three-member Limelight released one of 2023’s strongest singles. The shimmering Madeleine offered counterprogramming to current girl group trends, harnessing a full-throated melody over propulsive production. Now, the group has rebranded as MADEIN and added four members (including Mashiro and Yeseo who had previously promoted as Kep1er). This member upgrade demands equally exciting … Continue reading
The Bias List // K-Pop Reviews & Discussion 