It was an odd year for award shows. With MNET embroiled in its vote-rigging controversy, the MAMA awards felt like an afterthought, broadcast only one night rather than its usual multi-day spread. The Melon awards weren’t even telecast, opting for streaming instead. Even so, their staging and production felt incredibly grand. In comparison, the MAMAs … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2019 Overall Thoughts While November was not the blockbuster month that October was, it offered … Continue reading
Fresh off their success on Queendom, Mamamoo are back with their second title track of 2019. This has been a fruitful year for them, particularly Hwasa. Her name has been lodged at the top of the K-pop brand reputation lists, and her casual but quirky energy has become synonymous with the group’s appeal. Mamamoo have … Continue reading
Queendom has become one of K-pop’s most pleasant surprises this year. Its conceit — five girl groups (and one soloist) competing for performance-based dominance — was shockingly good-natured in reality, allowing each act to showcase their charms without the kind of needless drama these series usually thrive on. In fact, I’d be just as happy … Continue reading
Whether as album tracks or digital singles, the members of Mamamoo have each had their time to shine as soloists. Most of their material has played to the girls’ strengths, which means cool hip-hop for Moonbyul, sassy dance pop and slinky r&b for Hwasa and emotive ballads for Solar and Wheein. There’s nothing wrong with … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Sometimes it feels like K-pop releases are preceded by endless weeks of teasers, so Mamamoo’s surprise drop of Gleam (다 빛이나) is a refreshing new strategy. It makes me wonder if an idol act will ever release an entire album without an extended promotional lead-up. Of course, Gleam is essentially a soundtrack for a CF, … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Mamamoo’s new album completes their colors concept, in which the group released material each season and matched it with a defining color. Gogobebe (고고베베) arrives right at the tail end of winter, but it’s not the style of song you’d expect from this time of year. Rather than close their series with a big, sweeping … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2019 Overall Thoughts We’re deep in the winter doldrums, and that’s exactly what February’s K-pop … Continue reading
A solo debut from Mamamoo’s Hwasa almost feels overdue. Though each of the girls possess the necessary charisma to drive a solo career, Hwasa’s always struck me as the member most poised for a potential breakout. She’s been beefing up her variety show resume lately as well, proving to be quite a success with the … Continue reading
MBC brings us the last end-of-year festival of 2018, and K-pop’s final music show before the new year. Even when it’s not the best of the three gayos, I’ve always enjoyed MBC’s format. It has a more intimate feel to it, with the audience close to the performances and fellow idols looking on in the … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
Mamamoo’s highly successful 2018 has been filled with mini albums that follow a “four seasons,” color-specific concept. March’s Starry Night was painted with yellow, while summer hit Egotistic burned with red. As we move closer to winter, new single Wind Flower takes on a blue hue, as well as a more pensive tone. When put … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2018 Overall Thoughts I’ve always seen the month of July as the pinnacle of each … Continue reading
After kicking off the year with the colorful music video for power ballad Paint Me, Mamamoo have embarked on a release schedule centered around colors and seasons. March gave us Yellow Flower and the folksy EDM of Starry Night, and now the girls have moved onto “red” summer with the Latin-pop of Egotistic (너나 해). … Continue reading
Though Mamamoo have always been a vocal-centered group, their secret weapon is rapper Moon Byul. With her ultra-cool, gender-bending performance style, she’s brought fans of all persuasions into the group’s fold — even if her voice is often relegated to a short verse or two within bigger pop songs. She seems like the perfect candidate … Continue reading
Last time Mamamoo released a CF song and music video, it was in the form of the gloriously breezy Woo Hoo, which remains one of the best tracks in their discography. Now, the girls are shilling for Maeil Bio yogurt with the much more derivative Everyday (매일 봐요). This comes right on the heels of … Continue reading
The Bias List // K-Pop Reviews & Discussion 