K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2022 Overall Thoughts It’s a new K-pop year! I always feel optimistic in January because … Continue reading
Last time I wrote about a Momoland song, the girls were collaborating with DJ/producer Chromance. Surprisingly, their newest single sees them paired with another global artist. This time, it’s Dominican singer Natti Natasha. I think these collaborations are a cool idea, but they make me question how much faith MLD Entertainment has in Momoland themselves. … Continue reading
After their breakout 2018 success, Momoland have pinballed from one novelty to another, trying to find something that might stick. This has been largely unsuccessful, though they remain a competitive force in today’s K-pop landscape. Their pursuit of viral sounds has led them toward a few different collaborations, the latest of which sees them paired … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
Though Momoland treated us to Starry Night back in June, it’s been almost a year since their last full-fledged comeback. The group has struggled to rekindle the magic of their Bboom Bboom/BAAM era, stuck between recreated that sense of novelty or moving onto new sounds. But, they’ve scored a real coup with new single Ready … Continue reading
With Starry Night, Momoland has released one of those K-pop “special albums.” This always makes me crack up because “special” should mean something exciting. In the case of idol releases, it just means: “we ain’t promoting this.” That’s too bad, because although Starry Night is a mediocre pop song, it offers a refreshing departure from … Continue reading
I often write about how important it is for a K-pop group to develop a signature style. But, there comes a point when repetition becomes self-plagiarism. This is where Momoland exists now. Ever since the viral success of 2018’s Bboom Bboom, each title track they’ve released has sought to replicate that exact sound. This was … Continue reading
After their incredible 2018 success, Momoland are in the process of navigating the tricky business of follow-ups. Their name is known throughout Asia, and they’ve attempted to capitalize on that by recording material aimed at different regions. When it comes to Japan, they’ve already exhausted their most notable Korean output, recording versions of Bboom Bboom … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
Momoland have been in an odd state of flux lately. They made their last comeback with only seven of nine members, and that configuration seems to be sticking for new digital single Love Is Only You (사랑은 너 하나). Instead of returning as a full group, the girls have paired with Vietnamese singer Erik for … Continue reading
Momoland had a stellar 2018, propelled by the surprise smash of their hit Bboom Bboom and its copy-and-paste follow-up BAAM. Now, the real test begins. Having one breakout single is one thing, but forging a consistently successful career is quite another. Just ask Crayon Pop. Now that the girls have found a template that works … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
I may not be a trained dancer, but I do watch music shows each week! In 2018, intricate and catchy choreography continued to play a huge part in K-pop comebacks. Here are the ten routines that caught my eye this year: Honorable Mentions Seungri – 1, 2, 3! NCT U – Boss Seventeen – Oh … Continue reading
I always feel like I need to post a disclaimer before this particular countdown. In most “best artist” categories, the nominees are determined by taking things like sales and popularity into account. My top artists countdown is a bit different. This is a countdown for artists that made waves in 2018. Maybe they’re a newer … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Another year of KCON LA is behind us, and it was a fantastic experience. Instead of simply recapping the weekend, I thought I’d offer some sage advice from a veteran KCONer. This was my fourth year attending the event, and there’s a lot I’ve discovered since 2015. So strap yourselves in, because this is officially … Continue reading
As part of my 2018 mid-year retrospective, it’s time to look at those songs that either rose or fell as the months have passed. Some songs are slow-burners. Others impress in the moment but fizzle out quickly. And sometimes, a song surpasses expectations to become a cultural phenomenon. This year has actually seen more risers … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2018 Overall Thoughts After two and a half years, it finally happened. June’s cumulative rating … Continue reading
The Bias List // K-Pop Reviews & Discussion 