In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Naniwa Danshi released their second album Popmall this week, and it’s being promoted by two contrasting songs. These tracks represent the duality of the group’s music, and can be best described by this well-known meme: The ebullient Poppin’ Hoppin’ Lovin’ is fun but kind of exhausting. I’m much more drawn to LAI-LA-LA, which feels like … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Though it may not deliver a song as instantly classic as Ubu Love or The Answer, Naniwa Danshi’s new single is probably their most consistent since their 2021 debut. It’s spearheaded by two promoted tracks, with Special Kiss getting most of the attention. I enjoy that song for what it is, but it’s a bit … Continue reading
Today is J-pop day on The Bias List and I’m counting down my eighty favorite songs of the year! Now that you’ve had a chance to check out songs 80 to 11, it’s time for the best of the best — my absolute favorite J-pop tracks of 2022. This year, it’s a great blend of … Continue reading
Today is J-pop day on The Bias List and I’m counting down my eighty favorite songs of the year! You’ll want to start with the honorable mentions, but this post will cover songs 30 to 11. HONORABLE MENTIONS SONGS 50-31 SONGS 30-11 SONGS 10-1 2022 YEAR-END MASTERPOST 30. Johnny’s West – Susumu Shikanee Johnny’s West … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2022 Overall Thoughts The calendar may show one month left in 2022, but the year … Continue reading
I know that 99% of my readers are K-pop fans and likely have little interest in the goings on of Johnny’s & Associates, but I’m a big fan of the agency and there’s so much to write about them – particularly in 2022. My thoughts on Johnny’s are a little muddled this year, so rather … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
I saw a headline somewhere that referred to Naniwa Danshi as “glitter idols,” and that’s probably the best moniker you could use to describe them. Johnny’s has opted to give them a classic idol concept, complete with over-the-top costuming that’s popped right out of a manga. It’s not remotely trendy, but that’s the point. A … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
Naniwa Danshi are back with their second single, and it’s a huge switch-up from the cotton candy catchiness of Ubu Love. That song has enjoyed great longevity on my playlist. It delivers pretty much everything I want from its (admittedly niche) style of J-pop. But, things can’t always be sunshine and rainbows. The Answer acts … Continue reading
As I was looking back at the dramas I’ve watched this year, I realized that many of the ones I stuck with weren’t even from 2021. Overall, my taste continued to veer toward Japanese series. They just feel quirkier (and shorter!). Rather than try to rank dramas that are so different from one another, here’s … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2021 Overall Thoughts We may still have December before us, but according to the norms … Continue reading
I’m sure many Bias List readers are like, “Johnny what?!?”, but I’ve decided to branch out this year and offer my thoughts on one of J-pop’s biggest agencies. I mostly want to do this because I think they’ve had a great year worth writing about. As usual, the thoughts are my own and aren’t privy … Continue reading
The emergence of a new Johnny’s group will always be exciting. It was exciting in January 2020, when Snow Man and SixTONES made a dual debut, and it’s been even more exciting watching these groups go on to dominate the idol industry and usher in a new era for Johnny’s. When Naniwa Danshi’s debut was … Continue reading
The Bias List // K-Pop Reviews & Discussion 