It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Though JYP Entertainment has been active in Japan for many years, girl group NiziU was an early experiment in “J-pop group produced by Korean agency.” With companies like HYBE, SM and Lapone following suit, this strategy has become more common as time has gone on. It’s changing the J-pop idol landscape and blurring the lines … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
JYP Entertainment has found great success straddling the K-pop and J-pop markets with acts who can easily swerve between the two. New boy group NEXZ will continue this tradition with their upcoming debut, but first it’s time for a fresh single from NiziU. Though they’re first and foremost a J-pop act, the girls made a … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. Following SM Entertainment and YG Entertainment‘s analysis last week, it’s time to … Continue reading
There’s a long history of K-pop groups debuting in Japan, but the opposite rarely happens. I expect this to change as a new generation of Japanese groups formed and managed by Korean companies make their mark on the industry. NiziU are a JYP act and have been doing quite well for themselves in Japan and … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
NiziU’s second album is scheduled for release in mid-July, but its lead single has been unveiled early. Coconut is NiziU’s bid for a summer hit and contains many of the elements we associate with the season. I’ve had a hard time embracing NiziU’s music. Apart from the occasional standout, I find it too closely-aligned to … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. Following SM Entertainment and YG Entertainment‘s evaluations, it’s time to dive … Continue reading
Back in April, I found myself very impressed by NiziU’s digital single ASOBO. But after reviewing it, I went on to… never play the song again. Weird, huh? I guess I was able to recognize the strengths of the song even if they didn’t match my own musical preferences. But though I never returned to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
NiziU are part of a new brand of J-pop idol groups who look and sound a lot like K-pop. This is by design, as they – along with peers like JO1 and INI – are backed by Korean stakeholders. As a J-idol fan myself, their growing success worries me – particularly when the music feels … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. Next up is JYP Entertainment. As usual, the thoughts are my own and … Continue reading
I enthusiastically watched the entire NiziU project last year, happy to see many of my favorite personalities and talents make the final group. However, none of their post-show music has appealed to me. They’re one of those J-pop groups who pull a lot from K-pop tropes (JO1 and INI being other prominent examples), and this … Continue reading
Double a-side singles are common in Japan. Similar to Korea’s double title tracks, they offer a chance for J-pop acts to quickly grow their singles discography. NiziU have immediately followed Take A Picture with its coupling song, Poppin’ Shakin’. It’s becoming increasingly clear that the group’s hyper pop style is rarely going to be for … Continue reading
K-pop has a long history of pushing into the Japanese market, and often there were concessions made when it came to sound and image. But with the rise of groups like JO1 and NiziU, the two industries have entered a new form of symbiosis. For all intents and purposes, these are J-pop groups produced as … Continue reading
