Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. Make sure to … Continue reading
LOUD’s format surprised all the way up to its grand finale. The line-up for its two boy groups was actually revealed in the penultimate episode, with the finale devoted to a festival-like series of performances. It was nice to watch an episode without stressing over votes and eliminations, and I’m super excited about both groups … Continue reading
Watching the competition show LOUD has renewed my interest in P Nation and its artists. The agency is already stacked with major talent, both in front of the cameras and behind the scenes. And the series’ reinterpretations of popular songs have showcased the creativity at the core of P Nation’s ethos. It’s disappointing, then, when … Continue reading
Those of you who follow my twitter account know that I’ve spent the past few weeks gushing about how great survival series LOUD has been. If you’re not already watching the show, there’s still time to catch up! I’m a veteran watcher of Korean survival/audition series, having followed the vast majority of them since 2013. … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Make sure to … Continue reading
PSY’s new P Nation music label has been the source of much speculation this year. K-pop hasn’t seen this high profile an agency launch in years, and with YG Entertainment plagued by scandal after scandal, the timing is perfect for a new force in the industry. Add big-name stars like HyunA, E’Dawn, Jessi, Crush and … Continue reading
The Bias List // K-Pop Reviews & Discussion 