CORTIS occupy an interesting position in K-pop this year. On one hand, their massive hit REDRED has blossomed into one of the year’s biggest and best earworms. However, every other song has sucked and their overall influence has drained the life out of so many of their peers’ discographies. With each new song they release, … Continue reading
I was pretty harsh on Cortis’s debut-era music, but the truth is most of those songs have grown on me. I wouldn’t go out of my way to listen to them, but I understand the overall appeal. And with last month’s REDRED, the group tiptoed into a sound that could prove quite unique and compelling, … Continue reading
We seem to be in K-pop’s era of “rage hip-hop,” as the genre has slowly entrenched itself within idol releases. So far, this has largely been limited to a boy group phenomenon, but it makes sense that an act like Young Posse would give it a try. After all, they’ve covered many hip-hop sub-genres already. … Continue reading
Though I would prefer to fall in love with every song I ever hear, sometimes it’s fun to have songs you hate as well. It’s like an arch-nemesis designed to irk you at every turn. In a strange way, I have a special fondness for music that ranks below a “5” rating on this blog. … Continue reading
In many ways, P1Harmony represent a new generation of K-pop idol groups. While they certainly have a fanbase in Korea, so much of their focus seems to be targeted toward western markets. It feels like they’re always touring in the States and now they’ve released an English-language album. They even premiered its single Ex on … Continue reading
Given Big Hit’s track record, my expectations for new boy group CORTIS were high. Sadly, I haven’t been able to connect with any of their pre-release material. If I ignore the English lyrics of What You Want I can almost appreciate its 90s stoner rock pastiche, but songs like GO! leave me completely cold. Now, … Continue reading
A week ago, Starship Entertainment’s new girl group KiiiKiii pre-released their first track I Do Me, prompting a lukewarm response from me and many others who wished the group wouldn’t play things so safe. Be careful what you wish for, I guess, because they’re back with another pre-release — ironically titled Debut Song. I’m not … Continue reading
Much of Xikers’ debut mini album felt like underwhelming ATEEZ cosplay, but follow-up single Rockstar stood out as an undeniable high point. Fresh and colorful teasers for their upcoming album have me cautiously optimistic, even if pre-release Koong is probably the worst K-pop song I’ve heard all year. Honestly, this borders on unlistenable for me. … Continue reading
Oh, this is bad. Just… very bad. Not even so bad that it’s good. Still Nirvana imagines a world where computers have finally replaced human musicians, churning out cheap, mind-numbing trap beats with no sense of adventure and no heart. The word “skrrt” is this world’s common language, and can have several distinct meanings dependent … Continue reading
Before EXO’s Chanyeol and Sehun debuted as an official sub-unit, they paired together to deliver last year’s SM Station track We Young. That song offered a nice balance between hip-hop and harmonized melody, with a warm tone that took advantage of the interplay between the guys’ voices. This weekend’s pre-release Just Us 2 followed suit, … Continue reading
What is it about Chinese releases from k-pop stars being consistently terrible? The Chinese music industry is so restrictive to Western listeners that it’s hard to accurately gauge the country’s pop climate, but all c-pop can’t be this bad, right? As with Jackson’s last solo endeavor (the embarrassing Papillon), I feel like I have to … Continue reading
Two weeks after releasing the supple funk of I Need U, Lay has returned with the worst k-pop-adjacent track this year (and that’s saying something, since his most recent competition is Jackson’s Papillon). Sheep (羊) is what happens when a song is so desperate to become meme-worthy that it loses any other sense of purpose … Continue reading
Last time I wrote about Nada’s solo music, I suggested that she try something more unique in order to stand out among the burgeoning group of female rappers in k-pop. But rather than push the envelope and explore unknown genres, Trippin’ (공식 뮤직비디오) tackles the heavy “badass” rap style favored by artists like Jessi and … Continue reading
Even when I’m not necessarily a fan of a song, it’s hard for me to rate it less than “good,” especially since I know how much work goes into these k-pop comebacks. But with 24K’s Bingo, I have trouble finding many redeeming qualities. The group has been pursuing this “harder” sound for awhile now, and unfortunately … Continue reading
When I first got into kpop, I was convinced that Miss $ were some sort of sub-unit of miss A. This was based on nothing more than ignorance and name confusion, though for as little recognition as the group has now, Miss $ actually debuted two years earlier than the much-more-popular miss A. Even today, … Continue reading
The Bias List // K-Pop Reviews & Discussion 