One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Dreamcatcher (from Labyrinth – 2020) Dreamcatcher opens with evocative tones, promising a textured instrumental that largely comes to pass. The production is the most immersive thing about this track, providing a sense of fullness with beds of synth and percussion that reminds … Continue reading
Rookie group POW burst out of the gate with the solid pop/rock of Favorite last year, but have struggled to find songs as equally strong since then. So rather than reinvent the wheel, they’ve embraced a proven hit with their remake of Avril Lavigne’s 2007 smash Girlfriend. The guys have K-popped the whole thing, cribbing … Continue reading
I haven’t been shy in voicing my displeasure/disinterest with K-pop’s current trend of beige, easy-listening girl group fare. The sound has become ubiquitous over the past year, dulling the excitement of many new groups. But within this sonic realm, ILLIT’s megahit Magnetic stood out as a solid example of the genre. Now they’re back with … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Distance (from LOL – 2016) LOL is a very energetic pop album, but of course it has its softer moments as well. Distance is a bit of a weird one, seeming to borrow equally from reggae and harmonica-driven folk. Its chorus has … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Crème Brûlée (from Song Of The Sirens – 2020) The plucky percussion that opens this track gives me bad flashbacks to when this style of production was ubiquitous in K-pop. I’m not a fan of this overall vibe. It’s too slow to … Continue reading
Billlie pre-released the understated Trampoline last week, complete with a low-budget music video that suggested they were saving their resources for their album’s title track. Remembrance Candy (기억사탕) is that title, arriving within the quirky worldbuilding we’ve come to expect from the group. It also scores a co-write from IU, who worked on the lyrics. … Continue reading
Though they’ve lost members along the way, CNBLUE has slowly and surely grown into one of K-pop’s longest running bands. At this point, you can pretty accurately predict how their music will sound before even hearing it, which can be both comfortable and frustrating. New single A Sleepless Night (그리운건 그대일까 그때일까) is another solid … Continue reading
It’s exceedingly rare for a K-pop act to drop two full-length albums in the space of a year, but that seems to be EPEX’s plan. The date for their upcoming album hasn’t yet been set, but My Girl acts as its pre-release. The guys delivered an impressive one-two punch this spring, making me hope their … Continue reading
With as many digital singles as Xdinary Heroes have released this year, it hasn’t felt like the band has ever gone away. So rather than a comeback, Night Before The End acts as an extension. It also takes the opportunity to showcase a new texture to the band’s sound, slowing its energy for a dramatic … Continue reading
By any metric, it’s hard to argue that Seventeen aren’t the biggest K-pop act currently active. With this in mind, I keep waiting for another new single to wow me in the way so many of their past songs have. Maestro‘s chorus was an unsatisfying tease while last year’s God Of Music was pleasant but … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Bye (from Time For The Moon Night – 2018) We’re back in ballad territory with the gentle Bye. Its orchestral opening sounds ripped straight from a Disney soundtrack about fairies. I don’t mean that in a bad way, though the approach will … Continue reading
JD1 feels like one of those acts who are much more popular in Korea than abroad. This often pairs with music that sounds less internationally-minded, though his first two singles were palatable enough to appeal to a wide swath of listeners. As far as I’m concerned, he’s two for two so far. New single Be … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Better Me (Sowon & Umji) (from Walpurgis Night – 2020) For their final album, the group recorded tracks as units. Better Me sees Sowon and Umji taking a much more hip-hop influenced approach, which is cool but also a strange fit for … Continue reading
I’m not deep enough into the BTS fandom to know this song existed prior to today, and I’m not even sure it warrants a review given its irreverence. However, new BTS releases are few and far between these days, and this is technically Jin’s first (though not new) song since being discharged from the military. … Continue reading
Billlie have a new album out later this month, their first Korean release in about a year. And as is the fashion lately, they’re kicking off promotions with a pre-release track. Trampoline merges their quirky worldview with the subdued nature of 2024 girl groups, adding a jazzy flair for good measure. This will make for … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Beautiful (from Fallin’ Light – 2019) The piano arpeggio that opens this track is gorgeous and promises a sense of dynamism that never quite materializes. The instrumental shifts as we hit the first verse and the track transforms into… for lack of … Continue reading
Back in 2008, J-pop superstar Namie Amuro released the triple A-side 60s 70s 80s, where she recorded three songs inspired by those titular decades. My favorite was the 80’s-tastic What A Feeling, but the 60’s pastiche New Look wasn’t far behind. For their new single, Twice’s Japanese sub-unit Misamo have covered that track, tossing away … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! A Starry Sky (from Time For Us – 2019) The crystalline chimes that open this ballad feel like a good starting point for this K-Pop A-Z feature. If GFriend are defined by their “powerful innocence” concept, A Starry Sky sees them tackle … Continue reading
TVXQ are celebrating the twentieth (!) anniversary of their Japanese debut with the upcoming release of new album Zone. Before that, its lead single Sweet Surrender has been pre-released alongside a music video. The guys have steadily promoted since their 2017 return from the military, but to be honest it’s been a few years since … Continue reading
3piece are one of those very under-the-radar acts hampered only by their lack of notoriety and resources. Their debut single borrowed sonic touchstones from K-pop’s past (namely, tropical pop), which definitely appeals to me. However, the music missed the extra spark that a bigger budget could likely add. New single Light Up (피어올라) follows a … Continue reading
The Bias List // K-Pop Reviews & Discussion 