There are a few idol group acronyms I always have to re-research when new material rolls around. While I recognize the name VVUP, I can’t instantly recall one of their songs. Looking back, the group’s song ratings have fallen between a “7” and an “8” on this blog, which explains my confusion. Songs within that … Continue reading
Since signing with from20 and Hello Gloom’s Way Better agency, A.C.E’s Kang Yuchan has debuted as a solo artist and is now returning with his first mini album. This album represents an important milestone for both him and the agency, standing as one of their biggest projects yet. Co-written by Yuchan and Hello Gloom, Close … Continue reading
For me, EXO are one of K-pop’s most important pillars. Their discography often represents the very best of the industry. But if I’m being honest, very little of the members’ solo work has captured my attention. No member has capitalized on the “EXO sound,” choosing instead to pursue different genres and largely forgo the bombast … Continue reading
Since their debut in 2023, BOYNEXTDOOR has steadily built up a large fanbase and this year they’ve continued to branch out to festivals like Lollapalooza. All the while, their music has kept its own color, pulling as much from very old pop genres as it does modern trends. New single Hollywood Action continues this approach … Continue reading
1. Head Shoulders Knees Toes // 2. Overdrive // 3. Hot Blue Shoes // 4. Caffeine Rush // 5. Overthinking // 6. Here For You CAFFEINE RUSH Caffeine Rush is the only completely outsourced song on the new album without any of TWS’s usual composers participating in its creation. Among its composers are two of … Continue reading
I was lucky to be front row at Hwasa’s showcase stage during this year’s KCON LA and that performance crystallized her strengths as an artist. Though I haven’t always loved her solo work, she’s racked up a solid discography of varied material. And with Hwasa’s charismatic execution, nearly anything can turn into a hit. New … Continue reading
MEOVV scored their first long-lasting hit with this spring’s Hands Up — a track that rose to the top thanks to its sheer catchiness and verve. It’s no surprise the group would seek to replicate that sound, and new single Burning Up enlists their usual squad of producers to craft a similar energy. Like Hands … Continue reading
U-Know’s first (!) full album is scheduled for early next month, but prior to that he’s dropped pre-release Body Language to offer a hint of what we might be in for. With over twenty years in the industry, he’s tried his hand at just about every genre you can imagine, but Body Language pairs him … Continue reading
I’m always a bit skeptical about songs called “Rock & Roll” that aren’t from actual rock bands, but if anyone’s got the attitude to drive this style it’s ITZY. They made their name on a brash energy that felt punky even as it was carefully designed by a corporation to appear so. Japanese single Rock … Continue reading
Though ONEWE debuted all the way back in 2019, K-pop is currently experiencing a resurgence of bands and rock music in general. This opens possible inroads that were harder travelled before, though it also means a more stuffed marketplace. Today, they guys are back with their sixth mini album and its sprightly title track Maze. … Continue reading
Recent releases by TWS, RIIZE and IDID have me wondering if I’m starting to go full circle and enjoy weirdly atonal boy group hip-hop tracks again. It helps when the production is interesting and the subject matter isn’t simply “I’m so cool, look at me.” To be honest, much of my opinion about this style … Continue reading
So far in izna’s discography, there hasn’t been a full single that I’ve loved. Instead, there have been parts of izna singles I’ve loved. The synthpop chorus of Sign. The mid-2010s, vaguely tropical beat of their self-titled debut. Producers Teddy, Kush and 24 have robust resumes but I need them to take every one of … Continue reading
I often write about K-pop groups needing to find a “signature sound,” but that doesn’t mean the sound is always for me. Boy group POW have taken an oddly subdued approach with their music, leaning on elements of downbeat jazz to fuel their aesthetic. It hasn’t worked all that well commercially, but at least their … Continue reading
EXO has seen many of its members go solo and I’m beginning to spot a musical pattern between their output. Kai aside, I can’t think of any other major boy group whose solos have hung on more tightly to adult contemporary sounds. The guys seems to love tasteful rock and R&B that draws upon the … Continue reading
As Seventeen enters their inevitable military enlistment era, focus has shifted from group work to solos and sub-units. Next on the docket are S.Coups and Mingyu, joining forces alongside American singer/rapper Lay Bankz for a party track that heavily samples Roy Orbison’s iconic 1964 hit Pretty Woman. Wow… that’s a lot going on in one … Continue reading
Boy band Aimers have been kicking around since 2022 — one of those underrated, underknown groups who somehow manage to come back each year despite never breaking free of the dreaded “nugu” label. I have a soft spot for groups like this, though no Aimers song has hit me hard enough to be anything more … Continue reading
Throughout her solo career, GFriend’s Yerin has tried on a few musical guises. Her bright vocals and undeniable presence have served her well throughout these various sounds and continue to do so on new pop/rock single Awake. Awake exists in a lineage of similarly-constructed songs over the past year or so. It seems that everyone … Continue reading
Boy group TIOT have waffled between the wonderful and the frustrating, finding most success on this blog when they let their vocals do the talking on softly anthemic pop-rock. New single My Pride lacks the obnoxious production of their most polarizing work but struggles to find a compelling replacement. My Pride feels like a late-album … Continue reading
Last year, Kingdom added a “The,” capitalized their “D” and released one mini album before taking a lengthy hiatus. It all seems like much ado about nothing, and the title of special single Last Flower (화월가) makes me a bit concerned for their future. Still, it’s nice to see them revert back to the historical … Continue reading
GENBLUE blur the lines between K-pop and C-pop, composed of both Korean and Taiwanese members and promoting music in both languages. So far, their Chinese singles outweigh their Korean work, but they seem to be making a renewed push into the market with new track Badass. This title already gives me pause, as I often … Continue reading
The Bias List // K-Pop Reviews & Discussion 