With over 5,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
I have not been shy about expressing how completely underwhelming this month (and last month) of K-pop has been. In fact, when January’s average rating is calculated, we’ll probably be looking at a historically low number. Because of this, I’m grabbing onto anything halfway decent I can find. Hell, at this point I’m clinging onto … Continue reading
KiiiKiii’s debut year had a somewhat confused sonic landscape, pivoting between quirky sub-genres and meme culture to broad pop brushstrokes that felt more generic. Judging by pre-release Delulu and new title track 404 (New Era), they seem to have regained their focus in 2026 by pivoting toward the dancefloor. 404 (New Era) arrives bolstered by … Continue reading
New J-pop group STARGLOW made their pre-debut last year with the excellent EDM banger Moonchaser. That song became one of my favorites of they year and made me hope for an official debut that followed a similar soundscape. With Star Wish, the guys have moved in a different direction but proven themselves just as adept … Continue reading
Though XG are technically a global group based in Japan, their music has necessitated full song reviews on this blog because it’s so beloved by K-pop fans. I’ve found their output to be a mixed bag and generally prefer when they take a dancier approach. That happened last year with their excellent single GALA and … Continue reading
dodree are a female duo debuting under INNIT Entertainment, which probably means very little until you realize that INNIT is a JYP subsidiary. This means their music video for Just Like A Dream (꿈만 같았다) benefits from JYP’s strong distribution and gets a lot of eyes and ears on the track. And for a unique … Continue reading
idntt’s Pretty Boy Swag has grown on me a bit, yet still feels like a missed opportunity to do something more melodically ambitious. The rest of the album is quite strong as well. I already featured b-side Rage Problem as a buried treasure and now the guys are promoting Yes We Are with a music … Continue reading
EXO haven’t had a proper comeback since 2023, but to be honest I haven’t really liked one of their title tracks since 2018’s Tempo — and even that song had some issues for me. These diminishing returns are a far cry from the group’s first seven years, when they reliably churned out some of the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. During the late-00s/early-10s, there was a … Continue reading
Somebody’s gotta work on these K-pop names. When I scan ChRocktikal’s band name, my mind wants to see “crocodile” or “cockatiel” and then gets confused and angry when the letters don’t line up the way they should. Regardless, this band has been highly anticipated by fans of Dreamcatcher, whose Siyeon fronts them as vocalist. Post-Dreamcatcher … Continue reading
Male idol solo tracks tend to fit within a few distinct realms these days. Either they opt for a slinky funk track (usually served with a huge side of Justin Timberlake’s Like I Love You), stark piano ballad or light rocker. These archetypes have become so hardened that it’s difficult to pull much enjoyment from … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s been a very sleepy start … Continue reading
Boy group Waker impressed me very early in 2024 with their debut Atlantis. Sadly, they haven’t had many more chances to impress, with one follow-up in mid-2024 and not a single title track last year. Those of us who have been around K-pop for long enough know how this story of underfunded rookie groups often … Continue reading
Writing reviews for established, beloved acts has been dicey of late. Very few of them seek to do anything different or groundbreaking, so instead we usually get material that fits within their general sound but feels like a much lesser, more inconsequential version of it. Apink have released anniversary singles every year, but they haven’t … Continue reading
Rather than deliver a fleet of notable idol group comebacks, this month has been the realm of solo releases that don’t require much promotion from pre-empted music shows. The latest on the docket is SHINee’s Minho, who last released solo work just over a year ago. Here, he’s promised us dynamic things with the song … Continue reading
It’s a very slow week (month) for K-pop, so while I might not usually cover a “track video” like the one promoting Kang Daniel’s new song Backseat Promises, a dearth of new material has forced my hand. But sometimes, a forced hand can be a gift in disguise. I’m glad I gave this track a … Continue reading
We’re knee-deep in wintery releases this month, and SM Entertainment has always been a huge fan of the snow-draped ballad or festive midtempo. WayV are the latest to deliver a winter-themed album, though title track Eternal White (白色定格) is malleable enough to play all year. Rather than throw sleighbells at the song, Eternal White is … Continue reading
Most people know Yim Siwan as one of Korea’s leading actors, but once upon a time he was also in boy group ZE:A. If nothing else, I’d love for this review to be an excuse for readers to go back to ZE:A’s discography, which is truly one of K-pop’s most underrated. We simply don’t get … Continue reading
It’s about time for K-pop to start unveiling its special winter songs. We haven’t had too many yet this year. tripleS released a track video last week and Rainbow18 stealthily dropped an unpromoted, Sweetune-produced (!) carol that even passed me by. Now, fromis_9 have taken the baton with White Memories (하얀 그리움), their soundtrack to … Continue reading
Fresh off the members’ participation in Boys II Planet (none of them made the final group), VERIVERY are hoping to pull a Nu’est and re-emerge with new material and a vaulted level of success. Time will tell if that will happen. K-pop is fickle and the guys have been away since 2023. However, Jellyfish Entertainment … Continue reading
The Bias List // K-Pop Reviews & Discussion 