Fresh off their snoozy pre-release R.E.M, Kiss Of Life are back with the title track from their new album. Get Loud ratchets up the energy and throws back to mid-2000’s R&B/dance sounds. The song wouldn’t sound out of place on a girl group album from that era, and that’s a solid direction for this group … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Cocktail Love (from Sugar Man 3 OST – 2020) So, this is technically a remake track featured on the (very great) variety show Sugar Man, but my K-pop A-Z feature is nothing if not comprehensive. Despite this cover being released in 2020, … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Click (from LOL – 2016) Early in their career, GFriend’s music could occasionally get a bit cutesy. Click’s exuberant cheerleader chants won’t be for everyone, and it doesn’t help that the song opens with them. However, the rest of the track offers … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s a fun time to be … Continue reading
As their career progresses, XG have moved between two major modes: hip-hop and club music. Often, there are elements of both in their music, but songs like Something Ain’t Right and New Dance leaned heavily into melodic house influences. New single IYKYK builds upon this approach, adding smooth R&B-style vocals that give it a sleek, … Continue reading
I never got a chance to write about BEWAVE’s debut Sing! earlier this year. That song didn’t do much for me, but I heard potential from this young group. New single Hard To Get To You (너에게로 가는 길이 너무 어려워) moves toward fulfilling that potential, unveiling a surging sound that’s refreshingly anthemic in its … Continue reading
Despite consistently releasing new music, AB6IX have struggled to recapture the buzz of their debut era. Instead, they’ve expanded their sonic palette, exploring a variety of genres with generally strong results. 2021’s funky Cherry was one of those successes and new single NVKED echoes that upbeat energy. NVKED has an effusive, bounding instrumental, pulsing with … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Ave Maria (from Parallel/Rainbow – 2017) Oh, I like this track a lot. It opens with an addictive freestyle synth loop that borrows from the 80’s while still managing to sound completely current. The verses have great drive in the classic GFriend … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Apple (from Song Of The Sirens – 2020) What I said then: “Given 2020 K-pop’s urge to shift styles every three seconds, Apple is a remarkably consistent track. Its various elements lock together flawlessly, though the entire thing hits at the same … Continue reading
Over the years, Jay Park has found a successful formula collaborating with female artists. He’s had hits with IU and Kiss Of Life’s Natty and now he’s paired with Chungha for a funky single that brings out the best in his music. I’m one of those listeners who swears on Joah and So Good being … Continue reading
In a strange twist, the sweet, ultra-melodic girl group sound I came to love (think: Lovelyz, GFriend, April) has found a new home with fifth-gen boy groups. TWS are the most popular act tackling a bright, bubbly style but prior to their debut The Wind offered their take on the genre. Their Our: YouthTeen album … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When it comes to the brighter … Continue reading
NCT’s many members are slowly starting to embark upon solo careers, each with their own musical focus. Yuta has been with the group since the very beginning, debuting in 2016 as part of NCT 127. Since then, he’s felt like one of the more underutilized talents. Regardless of my thoughts on the song itself, I’m … Continue reading
Thus far, rookies TIOT have opted for a bad boy rocker sound with their debut track. The song itself didn’t work for me at all, though its band elements showed promise. New single The Long Season (그 계절 긴 터널을 지나) takes a softer approach, bolstering its guitar and drums instrumental with plenty of melody. … Continue reading
Ever since Peak Time game them a second wind, Vanner have been releasing the kind of classic, second-gen inspired K-pop sound many of us oldies hold close to our heart. Both mini albums have been super solid, led by dynamic title tracks that took advantage of the group’s experience. Automatic is another triumph to add … Continue reading
Choi Yena has straddled the line between rock chick and quirky popstress, often combining the two for a bubbly sound that capitalizes on her colorful personality. New single NEMONEMO (네모네모) dives full-on into the quirk, delivering the kind of a hyperactive dance track more commonly heard in J-pop. It won’t be for everyone, but the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When writing about P1Harmony’s new comeback … Continue reading
With 2024’s resurgence in popularity for idol band DAY6, I wonder if Korea is at the forefront of rediscovering their love for band music. Rock was a major force during the 90’s and early 2000’s, but like most music markets (apart from Japan!), the genre has ceded power to more modern sounds like hip-hop and … Continue reading
Pop music has been stuck in a retro romance for this entire decade, seemingly obsessed with referencing past eras rather than pushing forward to new sounds. This has caused genres like synthwave and synthpop to feel quite oversaturated, even if they’re styles I personally love. So, when it was announced that HYO would be drawing … Continue reading
Xodiac’s past few releases have been buoyant and bright, tackling today’s trends with an ease that made them polished but rather generic. New title track Our Days harnesses this effervescent energy and tethers it to a pumping pop rock anthem, taking its cues from popular contemporaries like TWS. This is a sound that greatly appeals … Continue reading
The Bias List // K-Pop Reviews & Discussion 