No K-pop group has grown on me more in 2024 than BOYNEXTDOOR. How’s that for a triple-rhyming statement? Seriously, though… when they debuted last year I wasn’t sure what to make of them, but with each comeback my interest and appreciation grew until I retroactively loved their entire discography. That’s a testament to the importance … Continue reading
It’s been over a year since WEi last made a comeback with the summery Overdrive, but new single LOVE2YOU feels like it starts right from where that song left off. Summer may be coming to a close, but that doesn’t mean we can’t enjoy a few more bursts of sunshine before the seasons change. LOVE2YOU … Continue reading
Since departing Treasure, Bang Yedam has released several solo singles. Most recently, he featured on a duet with aespa’s Winter. Now he’s back with his second mini album Good Vibes and title track O-HE. The song takes advantage of his natural sense of rhythm and a vocal flavor that recalls K-pop greats like Jay Park … Continue reading
Rescene made their debut during a busy week for new girl groups. Lumped alongside ILLIT, UNIS, Candy Shop and ME:I, their UhUh stood as the most promising track of the bunch. But without an album to develop this promise, it was difficult to put much stock into Rescene’s future. Thankfully, their first comeback Love Attack … Continue reading
Oh My Girl have been through several distinct musical iterations, but many fans remember them best for the fairy-like, ethereal quality of early singles like Closer and Windy Day. It’s been awhile since they’ve revisited this style and new title track Classified seeks to recapture some of that magic. Like agency-mates ONF earlier this year, … Continue reading
As with most survival show spawned groups, ZEROBASEONE’s discography has been a mixed bag. Most songs have grown on me, but none blew me away on first listen. And despite a number of similar b-sides, no title track has yet to recapture the airy effusiveness of their debut. New single Good So Bad manages to … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Overall, 2024 has had a solid … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. With a (performance?) video still possible … Continue reading
I’m a little surprised NCT Dream haven’t released an international single until now (not counting their duet with HRVY). They’re consistently one of the best-selling NCT units and slot nicely into a radio-friendly pop template. Rains In Heaven fulfills this brief, casting an evocative synth soundscape. Regardless of the song itself, it’s so satisfying to … Continue reading
Across her solo career, Mamamoo’s Moonbyul has proven to be one of the more versatile members of the group, tackling a hodgepodge of genres and concepts with her trademark energy. Last winter’s double shot of Think About and Touchin&Movin was more effective than I’d expected, and now she’s returned with a repackage of that album … Continue reading
New JYP Entertainment boy group NEXZ made their debut in Korea earlier this year with the unremarkable Ride The Vibe. Now they’re back with a quick follow-up (and their official Japanese debut) in the form of jubilant pop track Keep On Moving. NEXZ are clearly tackling a lighter sound than many of JYP’s male acts, … Continue reading
Rookies Young Posse have made a name for themselves with quirky hip-hop tracks and bizarre music videos with bad green screen effects. New single Ate That leans into both aspects but stands as their best attempt yet, embracing a full throated G-funk beat. I have a huge soft spot for 90’s hip-hop, particularly when underlined … Continue reading
To me, SF9 have always come across as musical chameleons. Their material is reliably polished and well-performed but doesn’t always have a distinct musical character. Instead, they flit between genres and often land on a winner. January’s Bibora was one of those lucky draws, gifting the guys a sleek dancepop confection that went on to … Continue reading
Apart from the status of Golden Child’s contract (by my count, their renewal deadline is in… nine days?), the biggest Woollim Entertainment mystery is which of its artists will be the first to break the agency’s dreaded three-track album curse. The last time a Woollim artist released more than three songs at once was all … Continue reading
Fresh off a commanding stint as headliner at this year’s KCON, SHINee’s Taemin is back with his first release under BPM Entertainment. Moving agencies — especially from one as distinct as SM Entertainment — has the potential to alter the sound of an artist. Taemin has always held an idiosyncratic vision and thankfully BPM seems … Continue reading
Fresh off the success of her recent single Rockstar, BLACKPINK’s Lisa is back with a big-name collaborator in tow. Spanish singer Rosalía makes for a compelling feature, herself a genre-bending, forward thinking popstar who can certainly match Lisa’s charisma. And as a song, New Woman is infinitely more interesting than its predecessor. However, “interesting” doesn’t … Continue reading
I don’t often review trot music, but new unit Atlantis Kitsune may be of interest to more casual K-pop fans. One of its members is Kim Sohee of disbanded girl group Nature. Nature’s most exciting material had a silly, trot-like energy at times, so the move makes sense. Atlantis Kitsune pairs her with Japanese singer … Continue reading
On top of their hit-filled Korean discography, IVE are quickly establishing a solid string of Japanese singles. Crush is their follow-up to last year’s Wave, a song I enjoyed and one that already seems to be a fan favorite. Now, the group has returned to the grand pop sound of highlights I Am and Love … Continue reading
&TEAM’s pre-release Koegawari has snuck up on me to become a real sleeper hit this summer. I love the understated warmth of its rhythmic instrumental and the way its arrangement allows spotlight on the members’ vocals without needless studio effects. If Koegawari was a delicious appetizer, it’s now time for the main course. Aoarashi is … Continue reading
Formed on SBS’s reality show Universe Ticket, UNIS made their debut this past March with a solid — but unspectacular — track. With their first official comeback, they’ve upped the energy and ambition, opting for a strutting glam rock beat and an in-you-face performance style. It’s a good move for them, even if the song … Continue reading
The Bias List // K-Pop Reviews & Discussion 