A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I don’t usually listen to Korean … Continue reading
At first, I was planning on simply including Body To Body in this week’s upcoming “New & Noteworthy J-pop” post, but I know not everyone reads those and I didn’t want fans of bombastic 80’s synthwave (like myself!) to miss out on this track. Meik debuted as a soloist in 2017 after leaving group J☆Dee’Z … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Kwon Eunbi’s new project may only … Continue reading
I had to go back to my September 2022 review of Limelight’s pre-debut Starlight to remember what this trio was all about. I guess I never got around to reviewing their most recent single Honestly, though I remember liking it when it came out early this year. But for all extents and purposes, I’m heading … Continue reading
After setting the industry (and my playlist) alight in 2021, Brave Girls released one final album before leaving their agency and rebranding as BBGirls. That name feels very awkward, but I’m so happy these four decided to stick together. Their music is great counterprogramming to K-pop’s younger girl groups, confident in its ability to showcase … Continue reading
1. Intro: 13 // 2. New Emotions // 3. Time Difference // 4. I Got You // 5. Find Me I GOT YOU Apart from the (very good) intro track, I Got You is the only song on 13egin produced by a longtime Infinite collaborator. BLSSD composed 2018’s Tell Me and a trio of title … Continue reading
I was quite ruthless when writing about Xikers’ pre-release Koong, drawing ire from the their fan base alongside accusations that I “hated” the group. In reality, I very much enjoyed this spring’s Rockstar and I’m heartened by the fact Do Or Die brings them back to this guitar-heavy sound. This feels like a nice niche … Continue reading
Woollim Entertainment has had an unusually barren year so far, releasing just a handful of tracks and only one official comeback. But Kwon Eunbi has recently been gaining attention online, making this the perfect time to remind fans that she is a fierce performer first and foremost. The Flash pairs her with talents from the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Looking back, I was probably a … Continue reading
1. Intro: 13 // 2. New Emotions // 3. Time Difference // 4. I Got You // 5. Find Me TIME DIFFERENCE Fans disappointed in New Emotions‘ trend-chasing sound have flocked to Time Difference (시차) for a dose of the classic Infinite style. As far as 13egin‘s upbeat moments go, this is closest to what … Continue reading
I missed XEED’s debut last December, but a slow day in K-pop draws my ear to their follow-up single Blue. I’m always game to support an underrated group from a small agency, and XEED definitely show promise. Blue brings me back to K-pop’s “tropical” days, mixed with a few synthwave elements that have been popular … Continue reading
I never covered n.SSign’s pre-debut song Salty on the blog, but it’s quite solid and part of a standout mini album that features a few of my favorite classic K-pop producers. In fact, n.SSign’s producers are the main reason I’m interested in the group. Not only will their upcoming album feature a track from Sweetune … Continue reading
In K-pop’s summer of long-awaited second-gen returns, one group stands above them all for me. Infinite are my ultimate idol group — the act I’ve written most about on this blog and the one I hardly let myself believe would actually make a full-group comeback after such a long hiatus. But after founding their own … Continue reading
There’s a small cavalcade of (mostly underrated) J-pop groups I follow extensively. You’ll find me marching alongside Fantastics, Genic, Ryugujo, XY and One Love One Heart. All have consistently released some of my favorite music of the last year. After unveiling their debut album at the start of 2023, One Love One Heart have dropped … Continue reading
After revealing the rocky, anthemic pre-release Back To Me last week, The Rose have returned with their latest single Alive. Like Back To Me, this is an English-language release. It sees the group tackling a groovier sound than normal — even incorporating a dubstep-influenced breakdown before the bridge. This experimentation is welcome, especially since I … Continue reading
Snow Man’s Dangerholic acts as the ending theme to member Meguro Ren’s newest drama Trillion Game. The series’ fast, freewheeling energy requires an equally splashy, confident song. Dangerholic delivers this energy, stuffed with brass and guitar and big, singalong hooks. The guys have performed shortened versions of this song for weeks now, so I’m not … Continue reading
There can often be a long lag between a J-pop song and its accompanying music video. I first wrote about Fantastics’ Tell Me when it came out in early June, but now that we have a video I can give it the full review it deserves. And I have to say, the wait was worth … Continue reading
The Wind’s debut album has been one of my K-pop highlights this year. They’re one of the few new-gen boy groups fully embracing melody and opting for an earnest, hummable sound that sets them apart. The group is set for their first comeback next week, but before that they’ve pre-released the buoyant Summer Vacation (여름방학). … Continue reading
In a summer characterized by second-gen comebacks, K-pop’s girl groups have kind of been left out. Aloha aims to fix that. It’s not the full Sistar return we’re all begging for, but it’s probably as close as we’re going to get. The song reunites Soyou and Bora with producers Duble Sidekick, the team responsible for … Continue reading
It’s been almost three years since I wrote about Saturday, which is practically a lifetime in K-pop. The group is down to four members and has substantially changed their sound for new single Stay (있을게). Along with ILY:1, they’re the second act to mine old Gfriend sounds today. As far as I’m concerned, this is … Continue reading
The Bias List // K-Pop Reviews & Discussion 