Treasure’s latest mini album is one of those projects where every song is solid but none stand out as classics. There are worse things to release, and consistency is always an asset even if the music tops out at a “B” or “B+”. Multiple songs could have acted as the album’s title track, and Treasure … Continue reading
Subsidiaries are something we think of with corporations like HYBE and YG, but JYP Entertainment has slowly been branching out in this way as well. Boy group ALL(H)OURS are technically under their extended roster and soon there will also be girl group DDDD 25, formed through the series The Entertainer. Before that, the group’s Youngbin … Continue reading
ATEEZ are out with their second full-length Japanese album today, compiling earlier J-pop singles alongside new material. After several years struggling to connect with their new material, the group’s two summer singles subverted expectations and caught my ear. New track Ash does the same, opting for a sleek dance sound I don’t always associate with … Continue reading
I don’t have the hard numbers to back it up, but compared to groups their age it feels like the 2PM members have the most prolific string of solo releases. The guys continuously release material in both Korea and Japan, and even if many of these songs fail to register with me in a big … Continue reading
Spooky season is fast approaching, which means a song titled “Thriller” has me thinking of one thing only. Instead of an MJ zombie dance-a-thon, this Thriller brings us the return of girl group BADVILLAIN. It’s been almost a year since we’ve heard from them on this blog, which might as well be a century when … Continue reading
After a very long wait since their July pre-release Step It Up, Starship Entertainment’s new boy group IDID make their debut today. Step It Up grew on me immensely and I’ve since gotten to know the group through their pre-debut variety content. Now all that’s left to deliver is a great title track. Does CHAN-RAN … Continue reading
GOT7’s BamBam has explored a variety of sounds during his solo career — some more successful than others. He has a new EP on the horizon and today we get the first taste of his first work under a new agency. Dancing By Myself is well-positioned for global appeal, sung mostly in English and harnessing … Continue reading
A few days ago, Twice’s Chaeyoung pre-released the first taste of her debut solo album with Avocado. Depending on your taste, that track either felt refreshingly new for K-pop or like a bit of a snooze. I fall in the latter category, though I did respect its unique tone. Pre-releases are afforded some leeway when … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Based on Wendy’s past solo work, … Continue reading
FNC Entertainment is one of the few large agencies continually debuting new bands. They’ve make it their specialty ever since the days of FTIsland and CNBlue, and with the major success of acts like DAY6 there’s clearly still a market for this sound. New K-band AxMxP (pronounced “A.M.P” and standing for “Amplify Music Power”) makes … Continue reading
Red Velvet’s Wendy made her solo debut four years ago and most of her work has been some form of ballad (Wish You Hell notwithstanding). I’ve always been a proponent of big-voiced pop stars using that big voice over fast-paced, energetic material. There’s nothing better than power notes anchoring a banging dance track, and I’d … Continue reading
i-dle’s Yuqi has a solo single album scheduled for later this month and has kicked off promotions early with pre-release track Gone. Much of Yuqi’s music has passed me by, but I absolutely loved 2021’s Bonnie & Clyde and her track Fly To The Youth (written for agency juniors NOWZ) was an early summer highlight. … Continue reading
Momoland are back! I repeat: Momoland are back! This is not a drill. After their disbandment in 2023, the group have proven that nothing is ever really dead in K-pop and have made a return with new single Rodeo. This is their first new music in nearly four years — a time period that represents … Continue reading
I listened to DAY6’s new album yesterday and thought — as I often do with their albums — that almost every b-side was stronger than the title track. Luckily, the guys are promoting double titles this time and have quickly followed up yesterday’s Inside Out with a video for album opener Dream Bus (꿈의 버스). … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ZEROBASEONE’s last two mini albums were … Continue reading
There have been a number of great boy group debuts this year, and KickFlip were the first out of the gate. But despite their (over)long gestation since 2021’s Loud survival series, their music didn’t immediately connect with me the way other groups’ has. It’s been a slower burn, with May’s Freeze easily their best title … Continue reading
It’s hard to believe YG Entertainment’s Treasure have already reached their fifth anniversary. Their music has gone through several iterations during that time, ultimately leaning into a lighter pop/rock sound than they debuted with. New single Paradise is emblematic of this shift, offering a lightweight pop bop that’s well-suited to summer. This bright, easy-listening approach … Continue reading
NCT Wish released a late-summer highlight in the form of their buoyant Surf and promptly followed it with a second pre-release (the much more confounding Baby Blue). With the theme of color driving their new album, you’d expect the music to be as vibrant as possible. Title track Color is certainly stuffed with sound, rarely … Continue reading
With the end of ZEROBASEONE’s contract looming in the (very near) distance, fans are concerned this might be their last comeback — at least in their current iteration. It’s impossible to know for sure what the future holds, but the guys are no doubt throwing everything they have into their first full album and the … Continue reading
ILLIT made a sneaky Japanese debut with a soundtrack song, though their 2024 mega-hit Magnetic was also omnipresent in Japan. Like fellow HYBE artists TWS and BOYNEXTDOOR, their sound feels tailor-made for J-pop so it’s nice to hear them leaning into that on new single Toki Yo Tomare. After being somewhat hesitant about ILLIT last … Continue reading
The Bias List // K-Pop Reviews & Discussion 