Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though Red Velvet’s new single Rookie didn’t quite meet my expectations, … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Shinee‘s latest Japanese album, Five, is super solid. The first … Continue reading
As Korea spends one more day celebrating the Lunar New Year, putting new k-pop releases on hold, it’s a good time to spotlight one of the most promising new j-pop groups of 2016. FlowBack debuted last year, and Heartbreaker was released in December, but the song is too good not to share — even a month … Continue reading
When writing about legendary girl group S.E.S’s pre-release Remember, I hoped that its sentimental balladry would give way to something more daring when it came time for the full comeback. And although Paradise (한 폭의 그림) doesn’t exactly reinvent the rule book, it offers a dynamite blast of throwback pop/r&b. For the track, the ladies … Continue reading
It was a long time coming, but EXO‘s first official sub-unit was an unqualified success this past October. Given the high quality of their first mini album, the emergence of new side track Crush U is definitely welcome. The song was released to promote NCSoft, a video game company, and is a collaboration with composer/singer … Continue reading
Swan songs have a particular aura around them, and although Last Dance may not be the last thing we ever hear from Bigbang as a group, it certainly feels like the end of something. As their final single released before years of staggered military conscription service, it’s at the very least the last song the … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s albums are usually divided between the title track, one or … Continue reading
Seventeen have quickly become one of the most reliable hit-makers in k-pop, regularly churning out the kind of dance pop that feels universal and classic — in line with trends, but pulling influences from multiple decades and genres. 2016 has been a big year for the group, cementing them at the top of the new … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. B1A4’s new album is full of gems, and those who prefer their … Continue reading
It’s been nearly a year and a half since B1A4 made a comeback in Korea, and the wait has felt like forever. They’re one of the few idol groups who truly have a sound all their own, and even though leader/composer Jinyoung has found much success this year producing for girl groups, there’s nothing that can … Continue reading
In a truly how-the-hell-did-that-happen moment for k-pop, veteran girl group Sistar have collaborated with disco/dance legend Giorgio Moroder for special single One More Day. Given that Moroder is practically the originator of what we now call EDM, it makes sense that the track is dance music at its most classic, eschewing today’s tired build/drop format … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Astro’s music is consistently strong, whether we’re talking about title tracks … Continue reading
The moment I heard a brief preview for It’s Raining, I nearly jumped out of my seat with excitement. I’ve long held the opinion that Infinite’s The Chaser is the best k-pop song of all time, and It’s Raining seemed to be using its sound as a template. Snuper have made their name in partnership … Continue reading
Repackages of albums are pretty common in k-pop, especially when you’re dealing with SM Entertainment. But Shinee’s new one has got to be a record, arriving only five weeks after October’s 1of1. Not that I’m complaining. The hypnotic Tell Me What To Do pairs the group with prolific producer/composer Yoo Young-Jin for the first time since … Continue reading
Astro have been one of 2016’s brightest k-pop hopes, debuting as a rookie group with an instantly recognizable upbeat style and image. In these uncertain times, their particular brand of hooky power pop is just what the doctor ordered. And luckily, that sunniness and youthful energy continues with their new single, Confession (고백). Composed by … Continue reading
Girl group Mamamoo have slowly been inching their way into the major leagues of k-pop. Their sound is unique among their peers, opting for an old-fashioned mix of soul and r&b in a world of trendy production techniques and concepts. This approach can only succeed with true talent at the helm, and Mamamoo are a powerhouse … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. EXO-CBX’s new mini album is absolutely fantastic from start to finish. … Continue reading
For the past few months, I’ve felt like one of the only k-pop fans who hasn’t been completely won over by new YG girl group BLACKPINK. Luckily their first comeback, consisting of Playing With Fire (불장난) and Stay, has gone a long way in reigniting my interest. At many points, both Whistle and Boombayah felt as … Continue reading
As a group heading into its fifth year, the first official EXO sub-unit seems almost overdue, especially given their large number of members and initial unit configuration of EXO-M and EXO-K. When it was announced that CBX would comprise of Chen, Baekhyun and Xiumin, it was hard to guess exactly what sound they’d be paired with. … Continue reading
Despite enjoying bigger success in Japan than their native Korea over the past couple of years, Boyfriend’s j-pop material has never come close to surpassing their incredibly run of Sweetune-produced singles from 2011-2013. But never say never, because now the group is back with the bombastic dance pop of Jackpot, and it’s their best Japanese release … Continue reading
The Bias List // K-Pop Reviews & Discussion 