At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2025 Overall Thoughts The other day, I commented on Twitter/X that K-pop was struggling to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Red Velvet’s Irene and Seulgi made their unit debut all the way back in 2020, spawning two singles backed by high gloss fashion and plenty of charisma. Five years later, they’ve returned with a new mini album and the club-ready title track Tilt. Along with Seventeen’s Thunder, today seems to be the day for dance … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
I really wish that I enjoyed Irene and Seulgi’s Monster more than I do. I love a good badass, female-fronted comeback, but the track’s droning vocal loop just sounds like bad Halloween to me. Because of this, I’m happy to see that they’re promoting the superior Naughty (놀이) as a follow-up. While Naughty doesn’t bring … Continue reading
It’s been a long time coming, but SM Entertainment has finally given us a Red Velvet sub-unit. Apparently, we still have to wait a bit for the music video, as it has yet to be published at the time of writing this review. And if I’m being picky, I really wish the agency could have … Continue reading
The Bias List // K-Pop Reviews & Discussion 