Amidst all the big-name comebacks today, girl group Blackswan have a stealth attack in the form of b-side Cat & Mouse. The song was previously released alongside title track Karma back in May but it’s now enjoying elevated status with a newly-released music video. I call this a ‘stealth attack’ because the song is legitimately … Continue reading
Over the years, I’ve enjoyed Hwasa as a performer much more than I’ve enjoyed her actual music. She has all the makings of an incredible solo star, and her success bears that out. But often, the songs don’t live up to her potential. I Love My Body is her first release under PSY’s P Nation … Continue reading
It’s been a struggle for Woollim Entertainment this year, with just a smattering of single albums released since last November. Their most established group, Golden Child, have been mired in their longest hiatus yet and the young Rocket Punch haven’t fared much better. It’s been over a year since we last heard from them, making … Continue reading
Lee Chaeyeon’s Knock experienced unexpected longevity on the charts, lodging its catchy hook in many listeners’ brains. She’s found her niche in quirky dance pop, which perfectly compliments the musical perspective of her agency WM Entertainment. New single Let’s Dance seeks to build on this success by smoothing the edges and delivering an explosive energy … Continue reading
Across their past few title tracks, Trendz have caught my ear with a brand of sturdy, rock-influenced K-pop that reminds me of a lighter version of early ATEEZ. This is no surprise given their work with producer Leez — an important contributor to the songwriting success of not only ATEEZ but Dreamcatcher as well. Like … Continue reading
Xodiac’s music has been a mixed bag thus far. The chanted Throw A Dice sent my head spinning, while the fizzy pop of Special Love delivered a welcome sugar rush. Pre-release Lemonade lands somewhere in the middle, pulling elements from both extremes. On its face, Lemonade is a groovy mid-tempo with strong hip-hop elements and … Continue reading
Purple Kiss are intent on keeping summer going throughout September, making a sharp turn and releasing their frothiest, most upbeat track yet. They’ve gone down the funky route before, but 7HEAVEN is downright ebullient. As a fan of big, summery dance tracks, this is music to my ears. Why not keep the party going all … Continue reading
After releasing the rocky Let It Be Summer last week, Young K is back with the title track to his first full album. Nothing But (이것밖에는 없다) tones things down, echoing the more pensive guitar rock of his band DAY6. I’m sure longtime fans will be delighted to hear this sound make a return, but … Continue reading
I didn’t write about Kim Sejeong’s late-August pre-release, but appreciated its lilting sound and Celtic influences. It certainly made me curious which direction she would take for the title track of her first full album. Thus far, her solo music has been all over the place, pulled together by the strength of her vocals. Top … Continue reading
Though I didn’t connect with BOYNEXTDOOR’s debut tracks as strongly as I would have liked, I appreciate their commitment to a signature sound and the bright, youthful energy their music portrays. But Sometimes (뭣 같아) is a quick comeback after their May debut and further develops their unique point of view. This song isn’t as … Continue reading
It feels weird — almost nostalgic — to be excited about a new SM Entertainment boy group. After years of NCT-style tracks, the agency seems ready to turn a page with the newly-debuted Riize. Their pre-release Memories has grown on me over the weeks, anchored by a euphoric chorus that should inform their sound going … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Prior to the release of their new album this month, CRAVITY have shared the summery mid-tempo Cheese. That title conjures all sorts of… well… cheesy ideas in my mind, but the track itself is rather subdued. It’s certainly not among their strongest material, but the vibe is nice. I’ll echo a frequent Bias List critique … Continue reading
Generic as it may be, I still love Jeon Somi’s Fast Forward. It’s fun to hear club music infiltrate K-pop and she makes a convincing dance diva. Unfortunately, the rest of the album is grab bag of genres — some more fitting than others. This is evidenced by opening track — and follow-up single — … Continue reading
I’m not always a huge fan of K-pop covers, but Baekho chose the perfect song in Elevator. The original 1995 Park Jinyoung classic was a staple of the 90’s, yet it never had an official music video and the song’s production is ripe for an update. As influential as this evergreen hit is, you don’t … Continue reading
H1-KEY have developed a nice niche of classic-sounding, melodic K-pop. Their songs play like comfort food, but they’re anchored by a robust set of vocals and detailed production. Seoul (Such A Beautiful City) continues this streak, even if much of it feels like a tourism CF. But really, doesn’t all K-pop exist as subconscious advertisement … Continue reading
Most Japanese releases from K-pop acts don’t really attempt to engage with the Japanese market beyond a surface level, making it exciting when we get an international duet or track written by J-pop talent. Stray Kids’ Social Path pairs the group with theme-song-queen and overall epic rocker LiSA. Social Path feels like a nod back … Continue reading
ONEWE have taken an interesting approach to military enlistment, continuing to release music no matter how many (or few) members are left in their group at any moment. Salty Boy is a project track between Dongmyeong, Giuk and Harin — one half of a special single album that gives these guys some room to stretch … Continue reading
As we tiptoe toward September, Cignature are back to offer their take on a summer song. Smooth Sailing (안녕, 인사해) is bright and insistent, delivering a smooth shot of brassy pop uplift. This group has had many guises thus far, but this ebullient energy fits them well. It’s at once nostalgic and on trend, concerned … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Vanner’s Veni Vidi Vici is the … Continue reading
The Bias List // K-Pop Reviews & Discussion 