I’ll take a look at K-pop’s established artists tomorrow, but I like to share my thoughts about this year’s rookies first. For me, 2025 was defined by its rookies. This is probably my most competitive countdown this year, as there were so many new groups I found compelling. Surprisingly, many of these emerged from survival … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2025 Overall Thoughts In the immortal words of BABYMONSTER: “Sheesh!” Based on recent history, I’ve … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
New K-pop trio RE:WIND impressed me big time with their pre-debut RE:SET earlier this year. I also enjoyed the early-2000’s pastiche of Forever even if a muddled arrangement dulled much of its effect. The guys recently released their first EP and have now unveiled the music video for new track Little Too Late. Like Forever, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Late last month, new Korean-American trio RE:WIND surprised me with their fantastic pre-release RE:SET. It’s so fun when an act bounds out of the gate with strong material. This track set the stage for their debut single Forever, but unfortunately I don’t find myself as bowled over this time. This is a tough one because … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2025 Overall Thoughts K-pop continued to limp along this month, though the second half of … Continue reading
I’ll always have a soft spot for a fledging act with a couple hundred YouTube views to their name. As I’m writing this, the visualizer to RE:WIND’s pre-release track RE:SET sits at just over six hundred views, but I have a feeling those six hundred people walked away very satisfied. Even before this release, RE:WIND … Continue reading
The Bias List // K-Pop Reviews & Discussion 