Now that we’ve got K-pop ranked for the year, it’s time to turn the blog’s attention to other music markets. First up is J-pop — a scene I write about every week on Sundays (and occasionally other days if a track catches my attention). Compared to last year’s excellent slate of music, I found J-pop … Continue reading
Now that we’ve got K-pop ranked for the year, it’s time to turn the blog’s attention to other music markets. First up is J-pop — a scene I write about every week on Sundays (and occasionally other days if a track catches my attention). Compared to last year’s excellent slate of music, I found J-pop … Continue reading
As usual, SBS’s year-end festival falls on Christmas day. Because of this, the themes have been getting more and more holiday-focused with each passing year. Everyone and their mother performed a “Christmas version” of their songs tonight, but you don’t get to call something a “Christmas version” just because you throw sleigh bells on the … Continue reading
Before I move on to J-pop, global pop and other categories, I like to sum up the K-pop countdowns that have filled the past few weeks. The title of this post should technically be called “The Best Overall K-pop Comebacks & Debuts of 2024,” since not every album on this list marks the return of … Continue reading
Full disclosure: I’m not a dancer nor choreographer, and dance isn’t necessarily what I flock to K-pop for. Because of that, my choices tend to veer toward more iconic routines that are fun to watch rather than technically challenging or impressive formations. I like to believe the two can co-exist, but I do prefer fun … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
This is always one of the countdowns I feel least confident about because I tend to listen to K-pop more often than I watch it. It’s also a very subjective category, as my visual/storytelling/conceptual preferences may not match others’. The truth is, K-pop has become so adept at crafting fantastic music videos that I could … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
K-pop has been a singles-driven market for awhile now, but that only seems to be truer with each passing year. Either comebacks don’t have enough songs to be called an “album,” or the b-sides are clearly designed to pad a tracklist rather than stand out on their own. With that said, there were a handful … Continue reading
With each new digital single from NCT’s Mark, we get closer to the release of his long-rumored solo album. That album seems to be slated for next year, but he’s capping off 2024 with a collaboration with popular rapper Lee Youngji. Fraktsiya (프락치) means “fraction” in Russian and sees him experimenting with production for a … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
Before I take a look at K-pop’s established artists, it’s time to spotlight this year’s fresh crop of talent! When I ran my first-ever Bias List survey, I was surprised when the majority of respondents noted that this year’s rookies were not particularly exciting. But when I took a look back at the year as … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The next few weeks on The Bias List will be stuffed with all manner of end-of-year countdowns. From K-pop to J-pop to global pop to dramas, it’ll all be covered. This is a fun way to tie a bow on the year and celebrate all the things I loved in 2024. These countdowns kick off … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
The Bias List // K-Pop Reviews & Discussion 