A week after the MAMA Awards, it’s Melon’s turn to throw its annual celebration. Since the ceremony is centered around a digital streaming service, the criteria is more statistics-based than other shows. However, I’m always surprised how many random award categories these events can come up with to make sure everyone goes home with something. … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
SM Entertainment’s new trot boy group has not followed the traditional rollout for a rookie, and that’s to be expected given their niche genre. Rather than perform on music shows, they’ve been hanging out on their very own reality series Falling for a Trot-dol: Lovestruck Sisters. Officially, they haven’t made their full debut yet, but … Continue reading
The holiday season is upon us, which means K-Pop (and J-Pop) will soon be unleashing their seasonal efforts on the market. Alongside the release of their first Japanese album, NCT Wish are ready to usher in winter with the festive Wishful Winter. The song makes sense for November/December but feels like a throwaway in the … Continue reading
Ten years after her debut with Red Velvet, Irene has finally released her first solo album. Better late than never — especially as the group enters a phase of their career when solo work tends to be more common. Like A Flower is well-suited to this musical era, drawing upon trends to craft a catchy … Continue reading
Last week, WayV pre-released the upbeat High Five, building on the funky energy of this spring’s Give Me That. Now, it’s time to move back into edgier territory. Title track Frequency melds old-school hip-hop rhythms with the harsh performance style many expect from the NCT universe. Compared to similar efforts in this mold, the song … Continue reading
So, I sat down and watched all three days of the MAMA Awards this year. Well… almost all three days (there was definitely some fast-forwarding). After a few years being pretty resigned to the ceremony, I was curious this year because so much of my favorite 2024 music came from artists who were big enough … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
After years of being relatively quiet compared to other NCT units, WayV had a busy 2024. They’ve already released albums in Korea and Japan and now they’re back to close out the year with a new project. High Five is the upcoming album’s pre-release and continues the funky, upbeat sound of June’s Give Me That. … Continue reading
SNSD’s Taeyeon can always be counted on for a long-lasting chart hit, but this summer’s Heaven didn’t seem to have the stranglehold on the public the way most of her singles do despite hinging on similar elements as Sabrina Carpenter’s world-conquering Espresso. New single Letter To Myself is a more comfortable fit for Taeyeon, drawing … Continue reading
Last week, NCT Dream unveiled pre-release Flying Kiss, which was… half a good song. Its verses and chorus existed on a different plane from one another, but its best moments offered a peek at what we might hear on the group’s full album. Title track When I’m With You never hits the heights of Flying … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Pre-releases have become incredibly common this year in K-pop — particularly from the big agencies. NCT Dream’s album isn’t out quite yet, but they’ve surprised us with new track Flying Kiss during the lead-up to promotions. The song showcases the lighter side of the group, offering a soft burst of pop buoyed by a standout … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ just released their best song … Continue reading
NCT’s Doyoung debuted as a soloist earlier this year with a full album. Now, he’s capping off 2024 with the release of new digital single The Story (시리도록 눈부신). Rather than reinvent the wheel, the song sounds like an extension of his previous work, drawing upon his rich vocal for an uplifting ballad. The Story … Continue reading
I’ll confess this right at the top: despite enjoying Yesung quite a bit as a performer, I nearly didn’t listen to this new solo track at all. My bias (and his musical history) had me expecting a specific type of ballad that just isn’t my thing. I very rarely have much to write about these … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2024 Overall Thoughts I’ve probably opened with this overused phrase during previous Octobers, but I’m … Continue reading
SNSD’s Sooyoung actually started her idol career in a short-lived J-pop group before eventually debuting in Korea. It’s funny, then, that it took this long for her to release a solo single in Japan. Better late than never, as Unstoppable recaptures some of the magic from SNSD’s discography while showcasing Sooyoung’s own charisma. A song … Continue reading
The Bias List // K-Pop Reviews & Discussion 