SNSD’s Sooyoung actually started her idol career in a short-lived J-pop group before eventually debuting in Korea. It’s funny, then, that it took this long for her to release a solo single in Japan. Better late than never, as Unstoppable recaptures some of the magic from SNSD’s discography while showcasing Sooyoung’s own charisma. A song … Continue reading
TVXQ are set to release a 20th Anniversary album in Japan early next month. They already unveiled its lead track Sweet Surrender a few weeks ago and now they’re teasing again with the classic ballad Dearest. Some of their most successful Japanese work has been within this musical realm, and given the special occasion it’s … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Before he enlists in the military, NCT’s Jaehyun is set to hold a two day fancon and has released a new single to tide us over while he enters hiatus. Unconditional arrives only two months since his first solo album and continues the vibey, on-trend r&b sound he established there. This seems to be the … Continue reading
Pre-release tracks aren’t necessarily meant to become the biggest hit of an artist’s career, but aespa’s Supernova surprised everyone by lodging itself at the top of the charts for the better part of the year. Karina’s recent solo track Up seems to be doing the same, adding to aespa’s red hot ascent. Now, the full … Continue reading
TVXQ are celebrating the twentieth (!) anniversary of their Japanese debut with the upcoming release of new album Zone. Before that, its lead single Sweet Surrender has been pre-released alongside a music video. The guys have steadily promoted since their 2017 return from the military, but to be honest it’s been a few years since … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
NCT’s many members are slowly starting to embark upon solo careers, each with their own musical focus. Yuta has been with the group since the very beginning, debuting in 2016 as part of NCT 127. Since then, he’s felt like one of the more underutilized talents. Regardless of my thoughts on the song itself, I’m … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Pop music has been stuck in a retro romance for this entire decade, seemingly obsessed with referencing past eras rather than pushing forward to new sounds. This has caused genres like synthwave and synthpop to feel quite oversaturated, even if they’re styles I personally love. So, when it was announced that HYO would be drawing … Continue reading
WayV released their first Japanese mini album all the way back at the beginning of August, but weeks later they’ve unveiled a music video for its promoted track Go Higher. I’m not sure what the plan was behind this delay, apart from the fact that J-pop often takes long breaks between various promotions. Either way, … Continue reading
I’ve written about NCT Wish nearly every week in September. Their first mini album has been preceded by two pre-releases and now we’re finally hearing the official title track. Steady is co-written by longtime SM Entertainment talent Kenzie and sees the group tackling their trendiest material yet. Both UK garage and Jersey Club have become … Continue reading
The month of SHINee solos concludes with the release of Key’s new mini album Pleasure Shop. He’s consistently been a K-pop artist who knows exactly what he wants from his music, and often those desires point toward the dancefloor. Last year’s Good & Great dabbled in house music and Pleasure Shop is largely a continuation … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
During this lull in new K-pop releases, I decided to go back and watch 2012’s MBC Gayo Daejun – the end-of-year extravaganza that ushered in 2013. Not only was it a euphoric time capsule of excellent music and stunning performances, but it brought to mind many thoughts after twelve years of K-pop fandom. Here were … Continue reading
In the lead-up to their first Korean mini album, NCT Wish have already delivered the SHINee-esque pre-release Dunk Shot. Now, they’ve given us another taste of what’s to come with the lighter pop of 3 Minutes (3분까진 필요 없어). I’m assuming this isn’t the title track since the album doesn’t arrive until next week, but … Continue reading
It’s been teased since aespa’s debut in 2020, and now SM Entertainment has finally debuted their virtual creation nævis. For those not in the know, nævis is (according to Fandom.com) “an AI system that helps the aes of aespa appear in the real world, allowing them to be seen by the real aespa members.” Okay, … Continue reading
NCT Wish have pinballed promotions between Japan and Korea, releasing previous single Songbird first in Japanese before unveiling its Korean version. Their new album seems to be taking the opposite approach, starting with pre-release Dunk Shot. No, this is not a cover of the 90’s track that NCT Dream already recorded. This is another Dunk … Continue reading
EXO’s Chanyeol made his comeback last week, but he’s already back again with follow-up single… Back Again. While Black Out took a subdued rock approach, Back Again dives into a more boisterous 90’s sound. It’s a much more interesting song, pulling together several distinct segments. Back Again almost feels like a mash-up. The rapped verses … Continue reading
The Bias List // K-Pop Reviews & Discussion 