Today marks a year since RIIZE’s debut, celebrated with special epilogue single Combo. Rather than making several distinct comebacks, the past twelve months have seen the group gradually build their debut mini album. Their music may not have a distinct genre focus, but they’ve managed to traverse a variety of sounds with panache. It’s hard … Continue reading
It goes without saying that I adore Taemin and his music, but my biggest frustration with his solo output is how often it tends to favor murky atmosphere and sluggish arrangements. He clearly enjoys this subdued tempo, and it allows for great spotlight on his choreography in a fluid, artistic way. But being a huge … Continue reading
Originally debuting as a main rapper in EXO, Chanyeol has gone on to release several solo singles in a variety of genres. He may not be a powerhouse vocalist within the group, but his tone has an easily identifiable charm suited to rock and indie music. Black Out comes from his first official solo album … Continue reading
NCT’s Jaehyun pre-released two tracks from his debut solo album earlier this month. I gave both average ratings but never returned to them again. Rather than “good” or “bad,” the songs didn’t have much effect on me at all. They simply existed — nice, well-performed and very predictable. Title track Smoke continues this pattern, painting … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I’m a little surprised NCT Dream haven’t released an international single until now (not counting their duet with HRVY). They’re consistently one of the best-selling NCT units and slot nicely into a radio-friendly pop template. Rains In Heaven fulfills this brief, casting an evocative synth soundscape. Regardless of the song itself, it’s so satisfying to … Continue reading
Sungmin has found a comfortable niche in trot music, a sound that’s still very popular in Korea. And with SM Entertainment set to debut a trot boyband of their own, the genre seems poised for even more of a resurgence. For my part, I appreciate a great trot track (especially when performed live) but very … Continue reading
A few years ago, I took a look back at my top K-pop songs of 2016 and did some reshuffling. To be honest, that list still needs a couple slight changes to be totally accurate in my current thinking, but rather than be overly fussy I’d like to move onto the following year. 2017’s K-pop … Continue reading
Well, this is unique. Prior to his official solo debut album later this month, NCT’s Jaehyun has pre-released two tracks and filmed a music video that teases each of them. I’m not sure how to review what’s essentially a medley, so I’ll take each song one at a time. Dandelion This is billed as the … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Many readers have been asking for it, and I’m finally ready to unveil this year’s Bias List Legendary Songs Inauguration Ceremony! A total of forty-nine songs have already been inaugurated as part of this feature, including a few J-pop highlights. As a rule, this ceremony only covers material released since The Bias List‘s inception (Jan … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2024 Overall Thoughts After a stellar June, July was always going to have a hard … Continue reading
RIIZE have barely let a month slip by without releasing new music. This is the perfect way to unveil a rookie group, blitzing the market with material so fans have no opportunity to stray elsewhere. Just six weeks since their funk dynamo comeback Boom Boom Bass, the guys have returned with their Japanese debut. Lucky … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
With member enlistments and debuts of younger artists in the agency, NCT 127 are now in an interesting place as respected seniors at SM Entertainment. This transition offers plenty of possibility for shifts in sound and approach. New single Walk (삐그덕) feels quintessentially NCT yet softens the tone for a more straightforward, digestible package. Walk … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Taeyeon’s To. X became a long-lasting hit on Korean charts, proving her continued dominance even sixteen years into her career. To tide fans over between albums, she’s dropped digital single Heaven. Its frothy disco pop sound is worlds away from To. X‘s downbeat confessional. I’ll admit this right away: I’m tired of this chill, vanilla, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List // K-Pop Reviews & Discussion 